meta_pixel
Tapesearch Logo
Log in
You'll Hear It: Full Album Deep Dives with Jazz Musicians

Do You Believe in Magic Chord Systems?

You'll Hear It: Full Album Deep Dives with Jazz Musicians

Peter Martin

Best New Jazz, Reaction, Album Analysis, Live Music, Album, 194861, Music, Jazz Lessons, Fresh Spin Fridays, Album Breakdown, Music Analysis, Kid A Harmony Analysis, Jazz Education, Musical Life, Video Podcast, Isolated Stems, Track-by-track, Song Breakdown, Music Advice, Jazz Tutorials, Music Education, Album Deep Dive, Jazz Musicians React, Music Commentary, Jazz, Vocal Stems, Adam Maness, Tutorials, Jazz Courses, Musicians React, Peter Martin, Song Stems, Chords, Music Theory

4.9770 Ratings

🗓️ 16 June 2020

⏱️ 13 minutes

🧾️ Download transcript

Summary

Adam comes at ya' solo today as he pulls back the curtain to reveal a little musical magic trick.Links From This Episode:For more piano tutorials from Adam, become a member of the Piano Guided Practice Pass. Join Adam as he hosts Daily Guided Practice Sessions, get access to the Guided Practice App, and unlock tons of extra resources to boost your practice session game.Today's Open Studio Live Events (All times in EDT):1:00 PM - Adam's Daily Guided Practice Session (for Members Only)3:00 PM - Adam hosts a Guided Practice Session for non-members on YouTube4:00 PM - Open Studio Demo & Tour - register hereFor the rest of this week's calendar, follow this linkInterested in more music advice? Go here to browse our catalog of jazz lessons and courses available for purchase. And be sure to check out our All Access Pass - every course from Open Studio on every instrument.Let us know what you think by leaving a ⭐⭐⭐⭐⭐⭐⭐ review, or head over to our YouTube channel.Follow us on Facebook | Twitter | Instagram See acast.com/privacy for privacy and opt-out information.

Transcript

Click on a timestamp to play from that location

0:00.0

Welcome to the You'll Hear at podcast. My name is Adam Manus going solo today because I've got a really, really cool nuts and bolts concept for making chords. I've

0:23.3

been working on this system over at the daily guided practice session. I know a lot of you might

0:28.7

be over there on the daily guided practice session. If you're a piano access pass member,

0:32.4

if you're a piano guided practice member at open studio jazz.com, You have access to our daily guided practice sessions,

0:40.4

either on the app or on the website or we even do it live on Zoom. I'm practicing with you every

0:46.1

day. If you're not, you can head over to open studio jazz.com. There's so many affordable

0:51.1

options to get in on this daily got to practice session, and it's super popular and fun.

0:55.4

It's just really good motivation to keep working every day.

0:58.6

Anyway, so for the last several weeks, we've been working on this voicing system.

1:03.5

I've kind of come around to calling it the magic chord system or the magic voice.

1:08.9

It's going to be something magical because it is kind of

1:11.7

magical. And this isn't out of left field. This is somewhat known, although I don't know how

1:17.5

widespread this system is known. But when I kind of discovered it on my own, I started researching

1:24.0

it a little bit. I found a book or two, and I found some videos that talk a

1:27.6

little bit about it, but it's really not that fleshed out as far as, like, the general jazz populace.

1:33.6

So, uh, you might know about this already, but you might not. And if you don't, I hope this

1:39.2

is eye-opening, because it sure was for me. This is a simple way to voice chords using a pentatonic scale.

1:46.8

And this is great if you're a piano player, obviously, but even if you're a guitar player or

1:51.7

a horn player that is interested in knowing how harmony is built, this system is so super cool

1:57.7

because it is a system. And it makes a lot of logical sense and you can apply it in various

2:03.5

ways. So, okay, what is it? So like I said, it's based off of a pentatonic scale. So if we're in the

2:08.5

key of B flat, right, the B flat major pentatonic, starting on B flat is a five note scale,

...

Please login to see the full transcript.

Disclaimer: The podcast and artwork embedded on this page are from Peter Martin, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of Peter Martin and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.

Copyright © Tapesearch 2026.