Pushkin. This is talk easy. I'm Sam Frico so welcome to the show. Today I am joined by director Brian De Palma. He's been making movies since the early 60s as a student at Columbia University.

There in New York, he said they wouldn't let undergraduates direct.

And I had all these ideas.

I knew how to take pictures.

I'd photograph computers I'd designed for science fairs growing up.

So I hocked my scientific equipment and bought a BolleX movie camera.

And the rest was history, some of which you've likely experienced.

Sisters, Phantom of the Paradise, Carrie, Dressed to Kill, Scarface, Body Double, The Untouchables,

Casualties of War, Carlito's Way, Mission Impossible.

De Palma's singular career has often been examined and debated.

released in 1981, it stars John Travolta as a B movie sound man who

unwittingly records a murder on tape. At the wrong place, at the wrong time, the evidence and snares are protagonists in a dangerous

paranoid plot. Here's a clip from the trailer.

It began with a sound that no one was ever supposed to hear. He was supposed to hear. He's one in a odd? Yes, he says he pulled the girl out of the car. I would like you to forget about her.

Yeah, that's what I heard just before the tire blew out. You're right, it was a shot.

He recorded a murder. They say it never happened. Brian De Palma's blowout. Now you hear it. Now you don't.

As an aside, I really love when they used to do trailers like that, that deep, booming voice, narrating the whole thing.

I also love when they used to make films like Blowout.

Even while talking to DePalma, it's hard to not get lost in the nostalgia of him.

The golden era in which he came of age, the behind-the-scene stories from films like

Blowout, Carlito's Way, Get to Know Your Rabbit.

This is not an exhaustive overview of DePalma's career.

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