Die Another Day (2002) and The Quick And The Dead (1995)

Film Stories with Simon Brew

Simon Brew

Tv & Film, Film History

4.9 • 767 Ratings

🗓️ 24 August 2020

⏱️ 53 minutes

🔗️ Recording | iTunes | RSS

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Summary

In the new episode of Film Stories with Simon Brew, how the 20th James Bond film pushed things a little too far, and a western with British origins. Die Another Day was the first 007 movie to heavily lean on CG, and one big sequence hadn't even been conceived when filming began. Sharon Stone had movie star clout when The Quick And The Dead got greenlit - and she used it to secure Sam Raimi as director, and at least two of her co-stars. Stories of both are told in this episode. Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriespod. Support our work at www.patreon.com/simonbrew. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0	Hello, this is Simon Brew. I'm the editor of Film Stories magazine and a very warm welcome to the Film Stories podcast.
0:06.8	Come with me.
0:09.0	And I show you how deep the rabbit hole goes.
0:12.3	In movies, movies that had stories.
0:15.1	That the story just sucks them in.
0:17.6	This is just the beginning.
0:20.2	We would be honored if you would join us.
0:26.9	Hello and a very warm welcome to film stories with Simon Brew.
0:30.3	I am Simon Brew.
0:31.2	That's everything you need to know about me.
0:33.1	The aim of the podcast, well, I'm here to talk of the stories of movies.
0:36.7	Title does sort of give it away.
0:38.7	I tend to talk about development stories, production stories, behind the scenes stories, marketing
0:43.8	stories, release stories, all the little bits and bobs that go to make the films that we know and love,
0:48.6	well, sometimes love, just that really, the films that we know and sometimes love.
0:52.9	I tend to choose relatively mainstream films for
0:55.9	this podcast. They're films I've got some degree of interest in as well. I'm not interested in punching
1:00.8	down and being snarky about stuff I don't really like. So there has to be something to virtually
1:06.0	every film that I've covered in the podcast today. And that's the case again with the two films I've picked for
1:11.4	this particular episode. So without further ado, I'm going to stop waffling on. I'm going to play
1:16.9	you a clip from the first of the two films and I'll pick up the story the other side of this.
1:21.7	Got your attention.
	...

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