Diddy Fallout, Tupac/Biggie Claims & the Anna Kepner Case — Attorney Faddis Breaks It All Down
Hidden Killers With Tony Brueski | True Crime News & Commentary
True Crime Today
3 • 791 Ratings
🗓️ 16 December 2025
⏱️ 50 minutes
🧾️ Download transcript
Summary
In this extended episode, defense attorney and former prosecutor Eric Faddis joins me to break down the legal chaos surrounding the Netflix documentary Sean Combs: The Reckoning, the explosive allegations linking Diddy to the murders of Tupac and Biggie, and the mysterious cruise-ship death of 18-year-old Anna Kepner, where a 16-year-old stepbrother is the named suspect — yet no charges have been filed.
Part One: Diddy vs. Netflix
We look at the cease-and-desist letter, the “stolen footage” accusations, and why Diddy hasn’t filed the billion-dollar lawsuit he threatened. Eric explains the hurdles of copyright ownership, the brutal reality of defamation law for public figures, and how anti-SLAPP statutes could turn the whole thing back on Diddy. We also break down why 50 Cent’s decades-long feud with Diddy isn’t enough to create legal exposure on its own.
Part Two: Tupac & Biggie Allegations
Keefe D named Diddy 47 times across interviews. Kirk Burrowes says Diddy “ushered Biggie to his death.” Former LAPD detective Greg Kading lays out timelines and motive theories. But accusations do not equal evidence. Eric explains why none of this has triggered criminal charges, what prosecutors would actually need, and whether future cooperation deals could change the landscape.
Part Three: The Anna Kepner Case
A death at sea. A teenage suspect identified in legal filings, not by investigators. Conflicting family narratives, witnesses claiming aggression and chokeholds, and an FBI investigation happening entirely out of sight. Eric breaks down why the silence may be strategic, how federal cases involving minors unfold, and what the legal roadmap looks like behind closed doors.
This episode pulls together the legal, psychological, and forensic threads of three highly complicated cases — and gives listeners a grounded, real-world understanding of what justice looks like when the spotlight is this bright.
#DiddyCase #TupacAndBiggie #AnnaKepner #EricFaddis #HiddenKillers #TonyBrueski #TrueCrimePodcast #LegalAnalysis #NetflixDocumentary #TrueCrimeDiscussion
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Transcript
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| 0:00.0 | This is Hidden Killers Live with Tony Bruske, Stacey Cole, and Todd Michaels. |
| 0:09.5 | Diddy's team has called the 50 Cent documentary a shameful hit piece before it even aired. |
| 0:16.0 | They sent Netflix a cease and desist letter the day before the documentary dropped, claimed the footage was stolen |
| 0:22.7 | and accused the streamer of handing creative control to a longtime adversary with a personal |
| 0:29.4 | vendetta. Yeah, they did it, and it made for great television. |
| 0:33.7 | They've threatened legal action. They've floated rumors of a billion-dollar lawsuit. |
| 0:38.2 | And yet, since a documentary premiered on Netflix to 22 million viewers, |
| 0:43.8 | Diddy hasn't actually filed anything against Netflix. |
| 0:46.4 | He did, however. |
| 0:47.5 | Sue NBC Universal for 100 million over a different documentary. |
| 0:50.9 | And that case is now hanging by a thread after his own courtroom |
| 0:55.1 | statements potentially torpedoed his defamation claims so what's the actual legal |
| 1:01.1 | exposure here does diddy have grounds does netflix and what about fitty personally joining us to |
| 1:07.5 | discuss eric fattis defense attorney former prosecutor thank you for joining us diddy Eric Fattis, defense attorney, former prosecutor. Thank you for joining us. |
| 1:13.6 | Diddy's team has called the footage and the documentary stolen, but Netflix and the directors say it was |
| 1:20.1 | obtained legally from a legal standpoint. What would Diddy actually have to prove to pursue a copyright or misappropriation |
| 1:30.1 | claim over footage that was filmed by his own videographer? Yeah, Tony, there are a few legal |
| 1:37.6 | wrinkles to this one. So did he would have to show that he had rights to that video, that he had |
| 1:43.6 | contracted with this videographer, and it's going to |
| 1:46.1 | be important to look at what that contract might say if there is a written one. And then on top of |
| 1:52.1 | that, does that include rights to distribution? Does it include some sort of prohibition against |
| 1:57.7 | the videographer not transferring it to other people. |
... |
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