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Slack.com slash DHQ. Can't tell you this. I remember in high school laughing at the annotated

notes when the character says, I think it was in Romeo and Juliet and he goes, he's

making the beast with two backs. That is. Exactly what you're thinking. That's the rare

time that I go, is that what it is? And you're 16 years old to go, that's exactly what

that is. I'm like, alright. So back in Shakespeare's time, when you wanted to get it on,

you wouldn't swipe right. You wouldn't say Netflix and chill. You'd say, hey, what do you

think about making the beast with two backs? What lingers in the mind after this version

of the tragedy of Macbeth is not specific line deliveries or braver acting moments, although

the cast all acquit themselves well, but images and sounds. Isaac Butler of Slate talking

about our feature review, our new movie this week, The Tragedy of Macbeth. It's in theaters

and currently available on Apple Plus, which is where I saw it. Our old movie this week,

I've never seen it. It's almost movies that's part of the pop culture vernacular. I'm

aware of it. I never actually seen it. So I finally watched Fatal Attraction. That's

right. That is one creepy woman, Glenn Close, Get Vengeance on Michael Douglas from 1987.

And our wild card, honestly, I think he's a tremendous actor. You know him. You love him from

his four films with Clinton, Tarantino. His name is Tim Roth. He's got a new film out

called Sundown. He's also the Academy Award nominated for Best Supporting Actor for Rob

...