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Kermode & Mayo’s Take

Did Mark Fall for Wuthering Heights — or Run Screaming Across the Moors? With Emerald Fennell

Kermode & Mayo’s Take

Sony Music

Film Reviews, Film Interviews, Tv Reviews, Tv & Film

4.32.9K Ratings

🗓️ 12 February 2026

⏱️ 84 minutes

🧾️ Download transcript

Summary

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor’s Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time. Bodices will be ripped in this week’s Take, because we’re talking Wuthering Heights. Emerald Fennell heads to the wild and windy moors for a cinematic storm of obsession, repression, lots of rain and, well… let’s just say nobody’s getting this worked up about the weather alone. Controversially starring Jacob Elordi as Heathcliff and Margot Robbie as Catherine, it’s already dividing the critics, so where does Mark stand? The lascivious literary adaptation’s director is our guest this week. She joins Simon to talk about the story’s sensuality, toxicity, and how much glaring, breathing, and storm-lashed longing is too much glaring, breathing, and storm-lashed longing? She tells us how it felt to realise her teenage dream of bringing her vision for this classic to the screen, and why its tale of love, revenge, and emotional chaos still gets pulses racing. Plus reviews of three more of the week’s cinematic offerings. There’s Crime 101, Bart Layton’s sleek thriller pairing Chris Hemsworth’s precision jewel thief with Mark Ruffalo’s relentlessly pursuing detective, and proving once again that nobody in LA should ever relax. Whistle brings supernatural horror and the world’s worst extracurricular activity, as students discover that cursed ancient Aztec artefacts are best left well alone. And Little Amélie offers something altogether gentler — an animated adaptation of Amélie Nothomb’s autobiographical story of childhood, identity, and wonder. All this, plus the box office top 10, a trip to the dizziest heights of humour in the Laughter Lift, and the customary digressions and delights of another top Take. 00:00:00 Show starts 00:08:53 Crime 101 review 00:18:33 Box Office Top 10 00:32:14 Emerald Fennell interview 00:46:27 Wuthering Heights review 01:00:06 Laughter Lift 01:03:11 Little Amelie review 01:08:49 Whistle review You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee! A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts To advertise on this show contact: podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcript

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0:00.0

Now, Simon, if our beloved redactor would be offered a mind-blowing new job and abandon us tomorrow, hard to imagine, but go on. We would be on the lookout for a replacement. I mean, surely he's irreplaceable. He is, but that aside, for candidates who match what we're looking for, elite-level Christmas cracker joke writing, a track record of working with top talent. and we do mean top, we'd be wise to try

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less time, more results now with indeed sponsored jobs. And listeners of this show will get a £100 sponsored job

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0:46.1

curmode mayo. Just go to indeed.com slash curmode mayo right now and support our show by saying

0:52.7

you heard about Indeed on this here podcast.

0:55.7

Indeed.com slash Kermode Mayo. Terms and conditions apply. Hiring, do it the right way with Indeed.

1:04.0

Frankenstein has been nominated for nine Academy Awards, including Best Picture, Best Adapted Screenplay, IMO del Toro, and Best Supporting Actor Jacob El Lodi.

1:16.2

I cannot forget what I am.

1:19.0

Also nominated for eight BAFTA Awards.

1:22.0

Critics Choice Award winner Jacob I Laudy gives the most transformative performance of the year.

1:27.0

Not something. I am someone.

1:30.8

Frankenstein, now playing only on Netflix.

1:33.8

Before we begin, a quick reminder that you can become a Vanguard Easter

1:37.1

and get an extra episode every Thursday.

1:39.9

Including bonus reviews.

1:41.7

Extra viewing suggestions.

1:43.4

Viewing recommendations at home and in cinemas.

1:46.1

Plus your film and non-film questions answered as best we can in questions,

1:50.0

Schmestjans.

1:50.6

You can get all that extra stuff via Apple Podcasts or head to extra takes.com for non-fruit

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