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Gangland Wire

Did Alto Knights Replace the Ravenite?

Gangland Wire

Gary Jenkins: Mafia Detective

True Crime, Documentary, Society & Culture, History

4.6 • 623 Ratings

🗓️ 3 April 2025

⏱️ 15 minutes

🧾️ Download transcript

Summary

In this bonus episode of Gangland Wire, I follow up on my interview with Mafia historian Anthony DeStefano to discuss New York City's organized crime more. One of the most significant topics Anthony and I covered was the Alto Nights social club. This was not only the title, but also the central character in the recent Mafia film written by Goodfellas scribe Nicholas Pileggi, who starred Robert De Niro in dual roles. Gary sets the record straight on two pivotal New York crime hangouts—the Ravenite Social Club and the Alto Knights Social Club—which the media frequently confuse. The Ravenite at 247 Mulberry, tied to Carlo Gambino, played a crucial role in his rise to power after Albert Anastasia’s assassination. Meanwhile, the Alto Knights Social Club, at 86 Kenmarre, emerged from the old Cafe Royale, a well-known bookmaking hub, solidifying its place in Genovese family history. Only three blocks separated these clubs, but they were miles apart in Mafia history. Listeners will hear about notorious gangsters who frequented the Alto Knights, including Vito Genovese, Michael Miranda, and infamous enforcer Buster Ardito. Through historical anecdotes and law enforcement surveillance records, this episode paints a vivid picture of mob life—its power struggles, criminal enterprises, and the relentless pursuit by federal authorities. Click the link on Anthony DeStefano's name to see his mob books. Subscribe to get gangster stories weekly Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to "buy me a cup of coffee" To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent Brothers against Brothers, the documentary, click here.  To rent Gangland Wire, the documentary, click here To buy my Kindle book, Leaving Vegas: The True Story of How FBI Wiretaps Ended Mob Domination of Las Vegas Casinos. To subscribe on iTunes click here. Please give me a review and help others find the podcast. Donate to the podcast. Click here! Transcript [0:00] Well, hey, all you wiretappers. Good to be back here in Studio Gangland Wire. A little bonus episode here. Hopefully, you just listened to or watched my interview with Anthony DeStefano, who had these books about Frank Costello and Vito Genovese, and from which Nick Pileggi researched to write his screenplay for the most recent movie that's just released, Alto Nights, It's a pretty interesting movie. We haven't seen a movie about the mob in the 50s since the 50s or the 60s, I don't think. And they talk about the Alto Knight Social Club. That's what this was all about, the Alto Knight Social Club. It was a Genovese social club. But what I've noticed is there's a lot of discussion about where was this club? And there's a whole school of thought, thanks to the New York Times or another New York newspaper, were obviously conflating the Ravenite Social Club and the Alto Knights Social Club. Two different clubs. So let's look at the Ravenite, which was at 247 Mulberry Street. And what the papers are saying, that the Alto Knights name was changed by Carlo Gambino when he inherited it from Albert Anastasia after he was killed. Barbershop Quartet, if you remember, murdered him in the Barbershare most famous mob photos ever, I think. Bosley Gambino changed it to the Raven Knights, Raven Knights, like, you know. [1:26] Knights with a sword and the raven, because he loved the Edgar Allan Poe poem so much, the one called the Raven, you know, the Raven, quote, the Raven nevermore. Now, it seems kind of weird that Gambino must have been a pretty erudite, sophisticated mob boss. If you read Edgar Allan Poe and poems, you know, I remember it because it's just so immensely popular. It got to, you know, quote the Raven nevermore. It's such a great line that, you know, you've heard of it. I don't think I ever read the whole thing. It's certainly not for fun, maybe in school.

Transcript

Click on a timestamp to play from that location

0:00.0

Well, hey, all you wiretappers, good to be back here in studio Gangland Wire, a little bonus episode here.

0:05.4

Hopefully, you just listen to or watch my interview with Anthony DiStefano, who had these books about Frank Costello and Vito Genovese,

0:16.0

and from which Nick Pellegi researched to write his screenplay for the most recent movie that's just

0:23.7

released Alto Knights, a pretty interesting movie. We haven't seen a movie about the mob in the 50s

0:28.8

since the 50s or the 60s, I don't think. And they talk about the Alto Knight Social Club.

0:34.1

That's what this was all about, the Alto Night Social Club. It was a Genovese Social Club.

0:38.9

But what I've noticed is there's a lot of discussion about where was this club? And there's a

0:44.7

whole school of thought thanks to the New York Times or another New York newspaper, obviously

0:50.9

conflating the Ravenite Social Club and the Alto Knights Social Club.

0:57.5

Two different clubs.

0:58.7

So let's look at the Ravenite, which was at 247 Mulberry Street.

1:03.7

And what the papers are saying, that the Alto Knight's name was changed by Carlo Gambino

1:09.9

when he inherited it from Albert Anastasia after he was killed.

1:14.2

Barbershot Quartet, if you remember murdered him in the Barbershire most famous mob photos ever, I think.

1:20.2

Bosley, Gambino changed it to the Raven Knights, Raven Knights, like, you know, Knights with a sword and Raven, because he loved the Edgar Allen

1:31.0

poem so much, the one called the Raven, you know, the Raven, quote the Raven Nevermore.

1:36.9

Now, it seems kind of weird that Gambino must have been a pretty erudite, sophisticated

1:42.1

mob boss if he read Edgar R.

1:44.6

And Poe and poems, you know, I, I remember it because it's just so immensely popular.

1:51.1

It got to, you know, quote the Raven Nevermore.

1:54.4

It's such a great line that, you know, you've heard of it.

1:57.2

I don't think I ever read the whole thing.

...

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