Demonic interference, and Teaching the Word of God in Modern Times | Chuck Konzelman & Cary Solomon
Prophecy Watchers
Gary Stearman and Mondo Gonzales
4.6 • 969 Ratings
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⏱️ 41 minutes
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| 0:00.0 | The Week in Bible Prophecy, a Prophecy Watchers podcast. |
| 0:08.2 | Welcome to the podcast, everybody. Here we are. I'm with two very special guests, Chuck |
| 0:12.9 | Konselman and Carrie Solomon. And they are the producers, directors of the new movie Nefarious. |
| 0:19.2 | But before we go there, which again, I want to get to the details of that, kind of help our audience understand some of the other movies, which I'm sure they'll recognize that you guys have been part of. Sure, we started off in the kind of the mainstream industry, and then we, about 15 years ago, we got a call from the Lord. We felt we're guys from Jersey, New York, so it wasn't subtle, the Lord kind of hit us over the head with a mallet. I'm like, okay, Lord. The first film we did in that arena was a little film called What If. That was the first film for, for a successful film for Dallas Jenkins, who went on to do The Chosen. |
| 0:55.0 | It was a really cool little romantic comedy. |
| 0:57.0 | It was a cute little thing. |
| 0:58.0 | And then we did God's Not Dead, which performed beyond everyone's expectations. |
| 1:05.0 | God too. We did... |
| 1:07.0 | Do you believe? |
| 1:09.0 | Do you believe? |
| 1:10.0 | Finding normal. Yeah. |
| 1:11.6 | Book of Daniel. |
| 1:12.6 | And those were from Pure Flicks at the time. |
| 1:17.6 | We provided their content. |
| 1:19.6 | And then the Lord called us out to go, he said, I'm going to raise you up. |
| 1:23.6 | I want you to separate and I want you to come over here and do and we did a, |
| 1:30.3 | the first movie we did was unplanned, which was the pro-life movie, which rattled the left. |
| 1:37.2 | We had all sorts of resistance against that. We had, Google wouldn't accept our ads. They |
| 1:43.7 | invented a reason the marketing people had never heard before. |
| 1:46.9 | Twitter on the night of our open, our theatrical open, which is critical. |
| 1:50.3 | They shut us down completely. |
| 1:52.2 | We had all kinds of interference. |
... |
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