You got it locked to the Defected Radio Show. This is Our House and Our House Music, House Music, House Music, House Music, House Music, House Music, House Music,

Hey, this is Sam Devine and you are locked into another very special edition of the Defected

Radio Show part two of our Defected 20 House Music All Life long special in celebration of 20 years of defective records.

I'm here and continuing our conversation with Simon Dunmore in the house.

Hello! What are you again Sam?

Are you fat for round two?

I'm fighting fit and ready.

Absolutely.

Everyone, I mean from the tweets and from all the messages on Facebook and Instagram they are absolutely loving

your insight to 20 years so let's go again then for the next hour and a half we're going to be

continuing to look back over 20 years the label the records the parties and everything in

between so much to talk about and so much more absolute banging music to play

you guys music on the way from Midland, Camel Fat, Oliver Dollar,

purple disco machine and of course loads more. Now last time we started in 1999 where it all began,

so this time let's pick up where we left off in

2012 a huge year for house music wouldn't you agree Simon?

I would never argue with you sound. Absolutely, it was an amazing year.

So let's talk about no Warren Hayes around the Solomon Vox Mix,

which became what it is through an incredible remix

how important do you think remixing is to the label?

I think that remixing is is really important within dance music because a producer will make a record

it will appeal to a certain DJ who is then going to play it normally to a certain audience

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