Summary
A solar eclipse repeats over and over, a musical key unlocks lost memories and a life marked out in books. Josie Long presents short documentaries and adventures in sound on our experience of time.
Crow Featuring Christina McLeish Produced by Jaye Kranz
A Channel of Music Produced by Nanna Hauge Kristensen
Totality Written and produced by Mae-Li Evans Sound and composition by Calum Perrin This piece is an adapted extract from a performance developed and supported by The Yard Theatre, Camden People’s Theatre and Hearsay Festival.
Production Team: Andrea Rangecroft and Alia Cassam
Series Producer: Eleanor McDowall
A Falling Tree production for BBC Radio 4, first broadcast in August 2019.
Transcript
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| 0:00.0 | BBC Sounds, Music, Radio, Podcasts. |
| 0:07.0 | Hello, welcome back to Shortcuts. |
| 0:09.0 | We've got a brand new series for this brave new world that we find ourselves in. |
| 0:14.0 | I hope you are well, I hope you are keeping hydrated, and I hope you are keeping your spirits up. |
| 0:19.0 | Today's episode is about deep time, |
| 0:23.4 | time that goes way beyond our pesky little mayfly existences. |
| 0:28.1 | And the first voice that you're going to hear is Christina McLeish. |
| 0:33.2 | Apprehending something for the first time is always astonishing. |
| 0:38.3 | But I guess I feel that re-apprehending a thing, that extraordinary paradox of eternity, |
| 0:44.1 | every moment is unique. No moment can be recaptured. |
| 0:48.4 | But they are related. |
| 0:52.2 | Each moment is a sister to another moment and the sisterhood tells you things. |
| 1:02.5 | The moment that you go outside one night and you look up and suddenly you're like, my God, |
| 1:08.7 | there are these stars, unfathomable distances away from you, burning, |
| 1:12.9 | taking lifetimes sometimes for that little glint. |
| 1:19.5 | That's amazing. |
| 1:22.4 | And that moment of amazement and the way that it connects with your past amazements. |
| 1:29.7 | It kind of rips a hole into the strange flatness that is the past. |
| 1:37.0 | The past seems so fixed to us, and there's a sense in which it really is. |
| 1:42.3 | It's happened. It can't unhappen. |
| 1:44.3 | It can't have happened differently. |
| 1:46.9 | But in another way, the past is incredibly dynamic. |
... |
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