Death, Sex & Money - Nick Offerman Can Take Directions
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Slate Podcasts
4.2 • 2K Ratings
🗓️ 22 August 2018
⏱️ 24 minutes
🧾️ Download transcript
Summary
Nick Offerman is famous for playing the most macho man on TV, but in real life, he says he has "all the colors inside."
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Transcript
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| 0:00.0 | I feel like people accuse me of being something in the vein of like a John Wayne character, |
| 0:06.1 | and I think, oh, I'm much more goofy and effeminate. |
| 0:10.6 | And, you know, I feel like I have all the colors inside me, |
| 0:15.1 | despite this sheriff's rictus on my face. |
| 0:21.8 | This is death, sex, and money. |
| 0:25.2 | I expect to be well paid. |
| 0:26.7 | I'm in it for the money. |
| 0:27.8 | The show from WNYC about the things we think about a lot. |
| 0:31.1 | If you kill him, you'll have to kill me too. |
| 0:33.7 | And need to talk about more. |
| 0:35.4 | I love you more and more every day. |
| 0:37.4 | That's very nice. |
| 0:39.3 | I'm Anna Sale. |
| 0:42.4 | Nick Offerman is famous for playing Ron Swanson, the macho, gruff, and exceedingly confident boss on Parks and Recreation. |
| 0:52.2 | But Nick says when he moved to Los Angeles in his mid-20s, after some success in the Chicago theater scene, it wasn't confidence that motivated him. |
| 1:01.3 | A friend of mine was about 20 years older than me, and he was someone I looked up to in the Chicago theater community. And he was a bit lost. He drank too much. He was lonely. He couldn't keep a |
| 1:13.4 | relationship going. And I had a fear that if I stuck around, I could sort of end up like him. |
| 1:19.0 | So he left. But the transition to Los Angeles was not smooth. Nick was living in a friend's |
| 1:25.7 | unfinished basement, drinking a lot, and taking any acting |
| 1:29.3 | parts he could get. His first gig was on a Nickelodeon show called Cablam. |
| 1:34.3 | Hey, little peanut putter, you look hungry. Here's a putter pretzel to tide you over. |
| 1:41.3 | I played the antagonist, Colonel Kudzu. Okay, divothead, prepare for pulverization. |
... |
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