Look, I really enjoyed today's movie and truly the only complaints I have is the title.

It should be called Deaths on the Nile, plural.

I know it's a spoiler alert, but come on.

Murder mystery enthusiasts, back me up.

Howdy, I'm Jeff Goldsmith and this is the Q&A.

My agenda is simple.

Each week I plan to bring you in-depth insight into the creative process of storytelling.

And folks, you know what? I'll accept it with that old title that a good old Agatha Christie came up with.

If it's good enough for her, it's good enough for me. But, you know, I am really pleased to have

with me today, screenwriter Michael Green. And you know, I was quite a fan of the first Agatha

Christie adaptation that he did for Murder on the Orient Express, which I highly recommend you see if you haven't seen.

And death on the Nile is really a blast as well.

And there's a lot of heavy lifting that Michael did for his adaptation that, you know, is so seamless that it's fun to talk about because I'm sure a lot of it goes unnoticed.

And of course, Michael was very forthcoming about his creative process.

So I know you'll dig this episode.

And speaking of things to dig, I hope you also check out backstory magazine over at

backstory.net.

You know, we published our winter issue recently.

And wow, there is so much great stuff in it.

We keep adding to it.

We're now working on our Oscar issue.

And folks, now is the perfect time to subscribe if you want to support independent

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