Hey, I'm Josh Barrow, your new host of Left, Right, and Center. Every week, join Rich Lowry, Bob Shear and me for a contentious yet civilized debate of the week's big political stories, from ISIS to the U.S. economy to this 47 candidate presidential election we're having. You can find Left, Right and Center on KCRW's iTunes page.

From KCRW and KCRW.com, I'm Kim Masters, and this is the business.

So I didn't decide to go back in the documentaries. I was just unemployed, desperate, and in a pit of

despair, and I said, I'm going to make a movie about people I like.

For filmmaker Davis Guggenheim, making documentaries was never the plan. He was a TV guy

working on shows like NYPD Blue and Deadwood with hopes of making feature films. It looked like he was

going to get his chance with Training Day until he was abruptly fired. Guggenheim tells us how

getting unceremoniously canned from the Denzel Washington thriller

set him on a course to directing movies with a message, from the Oscar-winning doc, an inconvenient

truth, to his latest film, he named me Malala. But first on the news banter is Warner's

looking at Tarzan trouble, and Homeland gets magnificently pranked.

Stay tuned. It's the business from KCRW.

I am joined by my banter buddy, Matt Bellany of the Hollywood reporter.

Hello, Matt.

Hello.

So Warner Brothers has been in the news.

It seems like what we have been waiting for and looking for is how Kevin Sujahara,

who was named head of the studio a couple of years ago, a guy who had no film or TV production,

had been in their sort of digital space trying to make something of that.

Not a ton of success, but an MBA, very much a suit, very presentable on Wall Street. He was named head of

the whole Warner Brothers studio. Jeff Robinoff, who ran the film studio, very capably left.

And he, Kevin Sujahara, appointed like a triumvirate of executives to run that film studio.

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