4.6 • 908 Ratings
🗓️ 8 November 2024
⏱️ 116 minutes
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0:00.0 | Tetrogrammaton |
0:02.0 | Tetragrammaton |
0:05.0 | Tectrogrammatian Poetry is seamless with actual reality. |
0:25.6 | Good poetry, that is. Bad poetry doesn't know it at all, as we know. |
0:29.6 | So, poetry is the disappearance of the wall, the disappearance of the veil. |
0:36.6 | As I say, I think it's a living entity, a good poem. |
0:41.3 | So it's almost like a tree you've planted. |
0:43.3 | You can walk around it in the future and see it from different angles. |
0:47.3 | And then if it's alive, you've unconsciously written many different layers into it, |
0:52.3 | some of which you're not fully conversant with yet in your life. |
0:57.0 | So I'm always amazed when I go back to the first volume I wrote songs for coming home, |
1:02.0 | which are very simple poems because at that time I knew that I was just supposed to get the sounds right on the page. |
1:10.0 | That narrative is something that takes, |
1:13.9 | I think, many years of application to bring into poetry, not into prose, but to bring narrative |
1:21.8 | into poetry is exceedingly difficult. So to begin with, I was just trying to get the sounds right on the page |
1:28.7 | that were absolute representations of a physical inner experience. So I'm amazed when I go back |
1:36.7 | and one of the greatest compliments you can be given in Ireland, I was one sitting with Ireland's greatest Elylein Piper's, |
1:46.0 | you know, Blackie O'Connell, and he's a friend of mine now. |
1:50.0 | But I was very shy and he said, come on, play a jig, you know. |
1:54.0 | So we played the Kilfenora jig and a couple of others, you know. |
1:58.0 | And I put the fiddle down at the end and he turned to me and he gave me |
2:01.6 | the ultimate compliment which is jesus there was nothing wrong with that he said that's the |
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