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David is an extraordinary investigative reporter, a longtime staff writer for The New Yorker, and an old acquaintance. Several of his stories and books have been adapted into major motion pictures, including The Lost City of Z, Old Man and the Gun, and Killers of the Flower Moon. His new book is The Wager: A Tale of Shipwreck, Mutiny and Murder — and the film rights have already been acquired by Scorsese and DiCaprio.

For two clips of our convo — on the hell of sailing around Cape Horn, and the horrors of scurvy — pop over to our YouTube page. Other topics: the bygone era of analog journalism; the hacks of Grub Street; David’s ability to write vividly about gore — despite his fear of blood in real life; the intricacies of sailing an 18th century ship; the crazed search for treasure and glory; the role of Lord Byron’s grandfather on the HMS Wager; the racial, class and age diversity of the crew; the incompetence of the captain; the catastrophe of running aground; the drama of mutiny; the tension of feuding camps; the mix of gallantry and brutality; the all-consuming despair of starvation; the ravages of disease; the upholding of civilizational norms even at the ends of the earth; how new leaders emerge under desperate circumstances; the beneficence of the indigenous people called “savages”; the arrogance of hindsight; the court-martials faced by the broken men when they returned to England; reuniting with family members who think you’re dead; and how nautical language has endured in common phrases today.

Browse the Dishcast archive for another conversation you might enjoy (the first 102 episodes are free in their entirety — subscribe to get everything else). Coming up: Tabia Lee on her firing as a DEI director and Matt Lewis on ruling-class elites. Please send your guest recs and pod dissent to [email protected].