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0:00.0 | You are a human animal. |
0:07.0 | You are a very special breed, |
0:10.0 | or you are the only animal, |
0:14.0 | who can think, who can reason, who can read. |
0:18.0 | Hello and welcome to Bookworm. |
0:20.0 | This is Michael Silverblad, and today my guest is David Bowman, the author of Let the Dog |
0:25.7 | Drive recently, brought out in paperback by Penguin. |
0:31.6 | Around two years ago, I started getting letters from David Bowman, manuscripts from David Bowman, copies of information |
0:43.2 | about David Bowman from David Bowman. |
0:47.1 | And he is, perhaps to my mind, the only author I didn't know who's contacted me on a regular |
0:54.0 | basis in ways that I found charming. |
0:56.9 | These envelopes would be filled with pictures of dogs driving, little amusing rubber stamps, |
1:05.7 | and kinds of self-promotion so surrealist that it didn't seem self-serving. And so here is David Bowman, |
1:16.3 | at last, with a book that began as a book from New York University Press to one that's been |
1:22.8 | reviewed in The New Yorker and the New York Times and published in paperback by Penguin. |
1:28.6 | Now, you've told me that you thought when young |
1:31.8 | that you had invented surrealism. |
1:34.0 | Can you explain that? |
1:36.6 | I grew up in San Juan Capistrano. |
1:40.4 | And actually, before that, it was outside of San Diego. |
1:44.4 | And I took oil painting lessons from a woman who wore rubber gloves because the arsenic and paint or something irritated her flesh and learned how to paint still lifes. |
1:58.4 | So I was painting plates and coffee cups and things. |
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