I was weirdly nervous, prepping and reading and getting ready to interview you.

I don't know what that means.

I can't hurt you through the Zoom screen. Just remember that.

Welcome. Hello. This is literally, you've come to the right place. It's literally with me.

I literally am Roblo. Danny Elfman occupies such a big place in my musical fandom,

both in terms of Wingo Boingo and all of the amazing scores that he has done.

He's done every single Tim Burton, really. The Simpsons, the Grinch, all the 50 Shades of Grey movies,

Milk, all the Sam Raimi movies. I mean, my man amazingly, amazingly talented. I've always wanted

to pick his brain. And frankly, I'm always a little afraid of what might be in his brain,

but we're going to find out right now with Danny Elfman. You've been a big part of my musical life,

not just the scores, but going back to when you were a rock and roll star.

When I did my first movie, the outsiders, when we did the rumble scene,

there was a lot of Dead Man's Party being played. Wow. I would never have guessed that.

There was a lot of Wingo Boingo being played. Am I remembering correctly that oftentimes,

do you remember a venue deep in the valley called the Country Club? Oh, yeah. Sure.

You guys played the Country Club, right? Oh, yeah. Yeah, quite a few times.

Yeah, we used the bounce kind of between like four or five clubs almost every weekend. It was a

great era starting up in a band because you had the whiskey a go-go, of course, in the Roxy.

Then you had Matamong's East and Matamong's West in Chinatown and in West LA.

Then you had the Country Club in the valley. Oh, God. There's a place I'm trying to remember

that was down in like Redondo Beach. Between these, it created this loop. We would be going into

the whiskey or the Roxy. The next weekend, the go-go's or somebody would be coming in. We leave

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