Hi folks, welcome along to soundtracking. It's me, Edith Bowman, with my weekly or sometimes bi-weekly dive into the minds of someone from the world of film and TV to talk about music and film.

And I'm thrilled about this week's episode because I have been wanging on about this soundtrack for quite some time.

I've got a little show on a new Radio 3 station.

It's a digital station called Radio 3 Unwind, BBC Radio 3 Unwind.

And it's got a nice kind of the whole idea is that the entire output is to kind of encourage

us all to find a place of calm.

And so I have a little show on there called cinematic soundtracks and it allows me to

enthuse about loads of the music, to be honest, that has that kind of, I guess,

atmosphere about it.

And the reason that I'm going into this is because today's guest's score very much does that and is featured on the show.

Does that make sense?

I think it does.

Anyway, thank you for joining us.

Just before I tell you about our guest, we've had a couple more people drop their little audio clips in for our 500th episode. Thank you so much. I really appreciate it.

And I really appreciate your words, actually, and how much you enjoy the podcast. So thank you,

thank you, thank you from the bottom of my heart. And if any of you're listening, I feel like

you'd like to be part of our 500th 500 episode because that's what we want to do.

We want to have as many of our listeners as possible feature on the show talking about,

I don't know, your favourite soundtrack, your favourite guest, your favourite episode.

So if you want to do that and be part of it, then you can get in touch with me various ways.

You can send me a voice note.

You can send me a little video, you can send me a little

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