4.6 • 3.6K Ratings
🗓️ 2 May 2016
⏱️ 39 minutes
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Dana Spiotta joins Deborah Treisman to read and discuss Joy Williams’s “Chicken Hill,” from a 2015 issue of the magazine.
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0:00.0 | This is The New Yorker Fiction Podcast from The New Yorker magazine. |
0:08.0 | I'm Deborah Treesman, fiction editor at The New Yorker. |
0:11.3 | Each month we invite a writer to choose a story from the magazine's archives to read and discuss. |
0:16.3 | This month we're going to hear a story by Joy Williams, Chicken Hill, which was published |
0:20.5 | in The New Yorker in September of 2015. |
0:23.7 | You go away now and when you come back in a few months say, I'll give you some jewelry. |
0:28.4 | I'll come back tomorrow. |
0:30.2 | That's so soon Ruth protested, but all right, the day after tomorrow. |
0:34.8 | The important thing is to go away now. |
0:37.6 | The story was chosen by Dana Spioda, who is the author of Four Novels. |
0:41.9 | An excerpt from her most recent novel, Innocence and Others, was published in The New Yorker |
0:46.2 | in December. |
0:47.7 | Hi, Dana. |
0:49.2 | Hi, Deborah. |
0:50.8 | So you've chosen a very recent story by Joy Williams, who's been publishing stories for |
0:55.6 | more than 30 years now. |
0:57.4 | How did you first come to her work? |
0:59.6 | I first was reading her novels. |
1:02.1 | Gordon Lish actually was the person who recommended Joy Williams worked to me. |
1:05.8 | I was working for him at a literary magazine called The Quarterly. |
1:09.7 | And I loved the novels and in fact the quick and the dead remains a huge influence on me |
1:15.5 | and my second novel really showed me how to write about political content without being |
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