Hi, this is Gilbert Gottfried and this is Gilbert Gottfried's amazing colossal podcast with my

co-host Frank St. O'Podry. Hey, what's up, loyalists. So if you guys were listening last week,

you heard part one of our interview, a very funny interview with comic and actor, producer,

a former Simpson's writer and a fellow planet of the eighths fanatic Dana Gould.

We had a wonderful time and we frankly couldn't make just one episode out of it because it would

have required major edits and cutting and we felt the content was too strong and we wanted to

share all of it with you guys. So without further ado, here is part two installment two or beneath

the GGACP with Dana Gould if you like. So enjoy. And I think Don Adams was one of those people

that got into that 70s look of the sideburns. Yeah. And the whole 70s. So did Peter Lofford.

Yes. Yeah. But then Aru and the turn. Well, yeah, well, yeah, Salt and Pepper. I mean, the movie

Salt and Pepper and Peter and Sam, it's so flawless. And a movie we talk about a lot on this show.

And that's good. Oh, yes, Jesus.

Drew's favorite.

And that's also like the beauty. It's to me. It's the, it's why I'm glad madman and when it did,

I didn't want to see Don and a big Richard Nixon bad polyester jacket. But also it's the difference

between the twilight zone and the night gallery. Like the twilight zone has that sort of

eternal look because it's the late 50s, early 60s, the classic suits, classic haircuts, everybody is,

it's still with the exception of like people having wet shiny hair. They could walk off that movie

walk down the street pretty much be on be on bother. The night gallery was 69 to 73. And it's,

and it's all like it's like Bert Convey playing the devil and like a lord jumpsuit.

It's like everything is wrong. Leonard Nimoy plays a haunted tree. He said the giant

button chops and the and the sign felled Puffy shirt on ironically.

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