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Today in Focus

Damien Hirst and the dates that don’t add up

Today in Focus

The Guardian

Daily News, News

4.5778 Ratings

🗓️ 27 May 2024

⏱️ 30 minutes

🧾️ Download transcript

Summary

Guardian investigations correspondent Maeve McClenaghan discusses her investigation into some of the work of the artist Damien Hirst that has been dated to the 1990s, years before it was actually made. Art critic Jonathan Jones discusses the impact Hirst’s work has had on him. Help support our independent journalism at theguardian.com/infocus

Transcript

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0:00.0

This is the Guardian.

0:10.0

Today, an investigation that asks, has one of Britain's biggest artists been

0:15.8

fudging the date on his works. Hello, I'm currently out of office. An article I read recently said we're more relaxed and more productive after a good break.

0:40.0

So, I've gone to Barbados for a month for science. Yours, Toby. Take your holiday as

0:51.6

seriously as British Airways holidays take your holiday, Atoll protected.

0:57.0

The first time I saw anything by Damienhurst was in, I think it was 1991, or maybe two,

1:11.0

at the Saatchi Gallery in London, the old Saatch Gallery which was a big white space

1:16.0

warehouse conversion in North London.

1:21.6

Jonathan Jones is an art critic who writes for the Guardian and he's talking about the first time he saw a work by the British artist Damien Hurst.

1:30.0

Obviously now there are lots of, you know, cool modern galleries in London, but then the Saatchi

1:36.7

Gallery was unique, this weird warehouse white space. So I walked into it to see a show called young British artists and there was a

1:46.8

shark swimming towards me. A tiger shark and it was in a huge glass case full of what looked like water but of course was formaldehyde.

1:57.0

This is when the shark was brand new, only recently been caught by a fisherman,

2:02.0

flowing to London, London putting this tank.

2:04.4

There's an optical illusion with Hurst's big shark pieces because

2:08.8

the Formaldehyde refracts and the tank is angled in various ways. as you walk around it and walk towards it

2:15.2

the shark seems to actually leap forward towards you and I think that was part of the

2:19.2

point of the peace you know it was about the impossibility of imagining death you know it was like

2:25.4

suddenly there's a shark swimming towards you in the art going it was amazing it was

2:28.9

one of the most amazing and unexpected, fascinating, shocking, mind expanding things I'd ever seen in an art gallery.

2:39.5

That encounter with one of Hearst's most famous works didn't just blow Jonathan away it changed his life

2:46.7

It was really one of the reasons I became a professional art critic. He made me feel that artists of my generation British

...

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