Jared Polin Froano's Photo.com and this is the Daily Fro for March 16th, 2018, and the time is 11.02 AM.

That's right. Early. I know I say sometimes during the day or sometimes in the evening is when I sit down and talk to you guys as if this is my journal

and that's why it's timed and date stamped every day.

Oh, this is episode 50, 50 days in a row, since I made that decision that I wanted to start

doing this, I started doing it and now we are at 50 days in a row.

It's a habit, it's formed, it's what I do, And I hope you guys are enjoying it. And I got a lot of

feedback from you guys about what you think about the show. Some came in via text. If you didn't want to call,

that's fine. I'll read the text. So you can send me a text to 267-454-6-376. or you could also call and leave up to a three-minute voicemail, but I recommend if you leave about a minute voicemail, that would be much better.

The reason I'm starting earlier today is, well, later we've got Raw Talk to go to, which is at 3 p.m. Eastern Standard Time live on YouTube on Fridays.

So that's what we're preparing for today.

We actually have an interesting topic

probably called the dangers of photography. We're working on the thumbnail and everything for that.

We're going to talk about the helicopter crash and other things that obviously are dangerous when it

comes to photography. But the reason I'm going early today, I think I already said that,

is I'm going to be doing a photo shoot coming up where I get to

spend a day with a guy named Thai dollar sign, sorry, tie dollar sign. That's T-Y-E-D-O-L-L-A sign.

Let me just check. Oh, he spells sign with a money sign and then IGN. So the reason I'm doing

this and the reason I'm talking about this is because somebody that's on tour with him that I met

through, this is a cool, cool little thing. So I was out photographing Stefan Machio in the studio, and James Blunt was in the studio also.

And that was the day that I asked James if I could come shoot his show as he was getting in the car.

I'm like, I got to ask him if I can photograph a show.

I didn't really talk to him that much throughout the five, six hours we were there, but it's like, James, can I leave with you right now to go photograph your show?

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