Summary
Woodcuts of Women (Grove)
Dagoberto Gilb's stories have enormous poetic vitality, yet he feels that he suffers from a lack of recognition. Has his status as a Latino inhibited his acceptance by the literary establishment?
Transcript
Click on a timestamp to play from that location
| 0:00.0 | Funds for Bookworm are provided in part by Lannin Foundation. |
| 0:06.0 | You are a human animal. |
| 0:12.0 | You are a very special breed. |
| 0:17.0 | Or you are the only animal. Who can think, who can reason, who can read. |
| 0:24.8 | Hello and welcome to Bookworm. |
| 0:26.9 | I'm Michael Silverblad, and today my guest is DaGoberto Gilb. |
| 0:30.8 | He has published three books with Grove. |
| 0:33.3 | The most recent is a book of short stories called Woodcuts of Women. |
| 0:37.4 | His first book was Magic of Blood, and he wrote the novel, The Last Known Residence of Mickeyacuna. |
| 0:44.4 | I wanted to begin by asking, when did you start writing? |
| 0:48.0 | You've been writing a very long time, it seems, before the first book got published. |
| 0:52.8 | Yeah, I started pretty quickly after, you know, when I got out of college, I sort of decided |
| 0:59.5 | to be a writer. I was one of these in the new, in this old way, which is now totally new. |
| 1:06.3 | I didn't want to be a writer when I was in college. I was like after college. So I was in my late |
| 1:11.7 | 20s by then. And what were the inspiration points for you? The first time I decided to start |
| 1:19.2 | writing, and I joke about this, but it's kind of serious was when I took a remedial English class. |
| 1:24.3 | I was tutoring remedial English at the University of California. And once I |
| 1:31.0 | figured out where commas and periods went, I just sort of like got excited that I could write. |
| 1:36.1 | But then also, you know, and I almost hate to admit this in some respect because it's not like |
| 1:40.3 | the influence in certain respect. But, you know, Jack Kerouac, just because he had a human |
| 1:45.9 | voice, just, you know, opened the world to me. I just, because, you know, going back to the |
| 1:52.8 | remedial English, I didn't understand, you know, when I'd read English in which I, you know, |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from KCRW, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of KCRW and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2026.

