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Daddy Issues

Daddy Issues: Writing for TV, Next Step in Careers, & Sneed's Disney Hookup

Daddy Issues

Transit Pictures

Improv, Comedy

5776 Ratings

🗓️ 6 November 2025

⏱️ 66 minutes

🧾️ Download transcript

Summary

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What up PEEPS! We're back with another edition of the Daddy Issues Podcast. This week effective writing for TV, what's the next step in your career, Sneed's Disney hookup, and money management.

Transcript

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0:00.0

I'm not saying.

0:01.0

Shaz, go right back to how you, how do you write?

0:03.5

You start from what?

0:04.5

I start from the ending.

0:06.1

Once I know how my story ends, I go, okay, I know how my story ends of the movie.

0:11.1

So then I go up and then I go to what's the big conflict that they need to fix.

0:16.8

And then I go up until my catalyst, what now would set this whole thing off.

0:21.5

So we call those your set pieces.

0:23.5

Exactly, exactly.

0:24.5

You know, and then I started with TV first, so there still act breaks to me.

0:28.9

So the different, you know, dialogues.

0:31.9

When pitching a story, you want to pitch your, what we call your big set pieces yeah exactly and then once but it makes

0:44.1

it so much easier bro i because i started that when i used to try to write movies and i would just

0:47.3

start writing and i'm like oh how's it saying i'm always changing stuff and changing stuff so it's like

0:50.5

you don't know who and the main idea when people get lost and they get stuck is because you don't really know your character that well.

0:56.4

If you know your character all the way through, you're going to know what they're trying to do, what their goal is, what drives them, what their weaknesses are, what stops them from getting there, what they need to overcome.

1:06.9

That third act is usually where your story either makes it or breaks it yeah because

1:13.5

then because that's could you ever see a movie start good you're like damn they failed at the end yep

1:17.0

yeah and it's either yeah and it's either maybe somebody else got involved and it got stupid right so right

1:22.9

you get a bunch of you know you get your notes and shit and or somebody just, like, you just, you just, you just, you just, you just, you just, you just, you know, you just go so weird that the studio's like, yes, we love it. That's different. We never thought we'd go that. And the guy's like, yeah, me either. You know, and then, then you have things that you wish you saw different you're like oh I wish they

1:44.1

done this I haven't done what they did that right you know why they pick why they pick this choice

1:48.2

you know and it's just it goes it's the same for our stand-up routines as well yeah you don't

...

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