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Folger Shakespeare Library: Shakespeare Unlimited

Cutting Plays for Performance, with Aili Huber

Folger Shakespeare Library: Shakespeare Unlimited

Folger Shakespeare Library

Arts

4.7837 Ratings

🗓️ 18 January 2022

⏱️ 35 minutes

🧾️ Download transcript

Summary

It might surprise you to learn that just about every production of a Shakespeare play that you’ve ever seen onstage has been cut, from student shows to Broadway revivals. Cutting Plays for Performance: A Practical and Accessible Guide, a new book by Aili Huber and Dr. Toby Malone, lays out some of the reasons that theater-makers cut Shakespeare’s plays, and suggests some handy questions directors and dramaturgs should ask themselves as they take a pen to the plays. Barbara Bogaev interviews Huber about the argument that brought Huber and her co-author together, strategies for cutting plays, and how a good cut can reveal a new and exciting story. Aili Huber has been a theater director for over 20 years. She holds an MFA in directing from Mary Baldwin University and the American Shakespeare Center. Her new book, co-written with Dr. Toby Malone of SUNY-Oswego, is called Cutting Plays for Performance: A Practical and Accessible Guide. It was published by Routledge in December 2021. From the Shakespeare Unlimited podcast. Published January 18, 2022. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Your Way Is Shorter,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Andrew Feliciano and Evan Marquart at Voice Trax West in Studio City, California, and Mikael Glago at Midnight Spaghetti Productions in Harrisonburg, Virginia.

Transcript

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0:00.0

It's not an insult to Shakespeare to say that a lot of his plays are long.

0:05.7

But you know what? That doesn't mean they have to be.

0:14.3

From the Folcher Shakespeare Library, this is Shakespeare Unlimited.

0:18.7

I'm Michael Whitmore, the Folcher's director.

0:21.6

Every season, theater artists working on Shakespeare, the Greeks, and other classical plays,

0:26.6

face the same decisions.

0:28.6

The best known version of this play is four hours long.

0:32.6

What can we cut?

0:34.6

The jokes in here are ancient. Nobody's going to get them. There are at least five characters in

0:39.3

here who I think contribute absolutely nothing to the action. Do they have to be in the play?

0:45.3

As a theater goer, it's likely you know nothing about these kinds of wrenching decisions.

0:50.8

But theater artists face them all the time. Now, though, there's a book, designed to help answer all of these questions

0:57.7

and smooth the path to classical theater that everyone can enjoy.

1:02.2

The book is called Cutting Plays for Performance, a Practical and Accessible Guide.

1:07.3

It's co-written by dramaturg and director Eile Huber and Dr. Toby Malone,

1:12.4

an assistant professor of dramaturgie at the State University of New York at Oswego.

1:17.6

In the book, they offer their personal experiences,

1:21.4

give us the backstory into some of their biggest disagreements,

1:24.3

and also provide the wisdom of theater scholars, actors, and directors like

1:29.3

Tina Packard, Ann Bogart, Jim Shapiro, Louis Dothnett, and Anthony Similino. Ily Huber came into a

1:37.7

studio near James Madison University recently to talk about cutting Shakespeare and feeling good about it

1:43.4

for this podcast that we call

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