Curtis Sittenfeld Reads “Show Don’t Tell”
The New Yorker: The Writer's Voice - New Fiction from The New Yorker
The New Yorker
4.3 • 2.3K Ratings
🗓️ 30 May 2017
⏱️ 45 minutes
🧾️ Download transcript
Summary
"A lot of the people in our program were nakedly emotional in a way that, in childhood, I had so successfully trained myself not to be that I almost really wasn’t. Before entering grad school, I had never felt normal, but here I was competent and well adjusted to a boring degree. I always showed up for class. I met deadlines. I made eye contact. Of course I was chronically sad, and of course various phobias lay dormant inside me, but none of that was currently dictating my behavior"
Learn about your ad choices: dovetail.prx.org/ad-choicesTranscript
Click on a timestamp to play from that location
| 0:00.0 | This is The Writer's Voice, New Fiction from The New Yorker. |
| 0:10.0 | I'm Deborah Trisman, Fiction Editor at The New Yorker. |
| 0:13.0 | On this episode of The Writer's Voice, we'll hear Curtis Sittenfeld read her story, show, don't tell, |
| 0:19.0 | from the June 5th and 12th, 2017 issue of the magazine. |
| 0:23.5 | Sittenfeld has published five novels, including Prep, Sisterland, and Eligible, which came out last year. |
| 0:29.3 | Now here's Curtis Sittenfeld. |
| 0:33.9 | Show Don't Tell? |
| 0:37.1 | At some point, a rich old man named Ryland W. Peasley had made an enormous donation to the program, |
| 0:46.1 | and this was why not only the second-year fellowships he'd endowed, but also the people who received them were called Peasley's. |
| 0:56.7 | You'd say, he's a Peas or she's a peasly. Each year, four were granted. There were other kinds of fellowships, but none of them |
| 1:04.0 | provided as much money, $8,800 as the peaslee's. Plus, with all the others, you still had to teach undergrads. |
| 1:14.0 | Our professors and the program administrators were cagey about the exact date |
| 1:19.3 | when we'd received the letters specifying our second year funding, |
| 1:23.6 | but a rumor was going around that it would be on a Monday in mid-March, |
| 1:29.0 | which meant that instead of sitting at my desk, |
| 1:31.7 | I spent most of a morning and an early afternoon standing at the front window of my apartment, |
| 1:38.2 | scanning the street for the mailman. |
| 1:41.8 | For lunch, I ate a bowl of grape nuts and yogurt. Monday nights after seminar were when I |
| 1:47.5 | drank the most, and therefore when life seemed the most charged with flirtatious possibility, |
| 1:53.0 | so I liked to eat light on those days. Then I brushed my teeth, took a shower, and got dressed. |
| 2:00.2 | It was still only two o'clock. |
| 2:02.6 | Seminar started at four, |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from The New Yorker, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of The New Yorker and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2026.

