4.8 • 27.5K Ratings
🗓️ 23 May 2018
⏱️ 45 minutes
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0:00.0 | This is 99% invisible. I'm Delaney Hall, filling in for Roman Mars. |
0:04.9 | In 1997, a curator named Catherine Ott |
0:11.4 | was learning her way around the Smithsonian National Museum of American |
0:14.8 | History. |
0:16.1 | She was new to the job. |
0:17.3 | She specialized in medical science. |
0:19.7 | And there was this one storage room in the building where she worked. It's like that classic |
0:24.7 | what you'd think of as a dark dusty sort of scary, mildly mysterious storage room in a museum. |
0:33.9 | There were drug jars, there was parts of |
0:36.8 | mannequin bodies laying around. |
0:38.8 | But the weirdest thing was, |
0:40.4 | there was this wheelchair that had go-cart wheels. It was completely customized. |
0:45.8 | It had a Ricardo seat that was used in Porsche cars, but I kept tripping over it and finally I'm like, |
0:52.2 | what the heck is this thing? |
0:54.8 | So Catherine Ott started asking around. |
0:57.3 | Where did this wheelchair come from? |
0:59.0 | Why is it in storage? |
1:00.9 | And no one at the castle, which is what the staff calls the main Smithsonian |
1:04.9 | building, could really tell her. |
1:06.8 | Nobody completely understood who had owned it. It had been left at the door of the castle with a note pinned to it like an orphan in a basket. |
1:17.6 | And the note said this was a chair that belonged to Ed Roberts. We think it should be at the Smithsonian. |
1:25.0 | Ed Roberts. Aught didn't recognize the name. Not yet. |
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