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Culture Gabfest: Women Are Talking, But Is the Academy Listening?

Slate Daily Feed

Slate Podcasts

News, Business, Society & Culture

41.1K Ratings

🗓️ 25 January 2023

⏱️ 57 minutes

🧾️ Download transcript

Summary

This week, Dana, Julia, and Stephen start by discussing the film, Women Talking. Then they chat about the new U.K. import Traitors with Slate’s own Carl Wilson. Finally, they finish by talking ChatGPT and the coming of AI chatbots. In Slate Plus, the panel talks about this year’s Oscar nominations. Email us at [email protected]. Also, we're hiring! If you'd like to apply to be the production assistant for the Culture Gabfest, please send a cover letter with two suggestions for topics to [email protected]. Endorsements: Dana: Werner Herzog is in his somber, elegiac mode with The Fire Within: A Requiem for Katia and Maurice Krafft. Not to be confused with Fire of Love, about the same people, but made by Sara Dosa. Julia: Endorsing the third season of Never Have I Ever. It’s such a good show. Sometimes I take for granted the variety of things being made. Stephen: Two things: 1. I am comically late on Better Call Saul. 2. Sam Gendel is a young L.A. jazz guy with a DGAF attitude towards even the music he makes, in a weird way. The album is called blueblue. Just amazing. Podcast production by Cameron Drews. Production assistance by Yesica Balderrama. Outro music: "Last Sunday" by OTE. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:46.6

I'm Steven McCaffin.

0:47.6

This is the slake culture gapfist.

0:49.2

Women are talking, but is the Academy listening edition.

0:53.3

It's Wednesday, January 25, 2023.

0:56.6

On today's show, women talking is the new feature

0:59.4

from writer-director Sarah Polly.

1:01.5

It tells the story of a group of men and-ite women

1:03.7

coming to grips with a gruesome act of sexual violation,

1:07.7

which points to a probable history of it,

1:10.7

and debating whether to take the radical step

...

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