Culture Gabfest - The Talented Mr. Quibi
Slate Culture Feed
Slate Podcasts
4.2 • 2K Ratings
🗓️ 15 April 2020
⏱️ 64 minutes
🧾️ Download transcript
Summary
This week on the Culture Gabfest, Stephen Metcalf, Dana Stevens, and Julia Turner analyze the latest way to watch television: Quibi. Next, they bring on Slate music critic Carl Wilson to talk about the legacy of the late songwriter John Prine. Finally, the panel dives into The Talented Mr. Ripley, Dana’s comfort watch pick for this week.
Slate Plus members get a bonus segment on the Culture Gabfest each week, and access to exclusive shows like Dana Stevens’ classic movies podcast Flashback. Sign up now to listen and support our work.
On the Slate Plus segment this week, the panel discusses Saturday Night Live’s recent “at home” show.
Outro Music: 'Apocalypse' by Cigarettes After Sex
Podcast production by Jessamine Molli. Production assistance by Rachael Allen.
Endorsements
Dana: John Dickerson’s interview with John Prine from February 2019.
Julia: Jim Dale’s audiobook narration of the Harry Potter series—except for his voice of Hermione.
Steve: The Lucksmiths. Again.
The music of Cigarettes After Sex.
Hosted on Acast. See acast.com/privacy for more information.
Transcript
Click on a timestamp to play from that location
| 0:00.0 | I'm Stephen Maccalf, and this is the Slate Culture Gab Fest, the talented Mr. Quibi edition. |
| 0:19.4 | It's Wednesday, April 15th, 2020. On today's show, Good News, |
| 0:23.5 | the butt of many Hollywood in jokes is now here for all of us to make fun of. Quibi is a new short form |
| 0:29.1 | streaming entertainment app, if I understand it correctly. And then John Prine, the great John |
| 0:34.9 | Prine, has died from complications related to COVID-19 at the age of 73. |
| 0:39.8 | We discuss a singing, songwriting, Titan with Slate's own Carl Wilson. |
| 0:44.0 | And finally, this week's comfort culture offering comes by way of Dana, the 1999 Anthony Mangella adaptation of Patricia Highsmith's deliciously wicked thriller. |
| 0:53.3 | The talented Mr. Ripley. I cannot wait to |
| 0:55.4 | as Dana why that movie is comforting to her. But first, I know, I'm so weird. I started watching |
| 1:03.8 | it and realized, what the hell am I thinking? All right, I'll account for myself later. |
| 1:08.5 | Oh, yes, you will. But first, we're joined from Los Angeles by Julia Turner, |
| 1:13.4 | who is the deputy managing editor at the LA Times, Herb Bailey Wick, as I understand it, is Arts and |
| 1:19.4 | Entertainment. Julia, hey. Hello, hello. How are you? Yeah, pretty good, pretty good, |
| 1:25.8 | eager to talk about all three of these, which is always a good sign. And we're joined by Dana Stevens, who is the film critic for Slate.com, the unaccountable Dana Stevens. Welcome. Thank you, Steve. All right, guys, shall we dig in? Please. Let's Quibi. All right, here is what I understand about Quibi after tinkering with it and reading about it for a couple of days. |
| 1:47.5 | It's a streaming video service that plays directly to your phone, streams onto your phone. |
| 1:53.0 | And it seems to be aimed at your presumably, pitiably truncated attention span. |
| 1:59.0 | So it unfolds its various kinds of content, which |
| 2:02.8 | includes comedies, thrillers, docs, in short six to ten minute episodes. Quibi comes to us via |
| 2:08.7 | Jeffrey Katzenberg, of course, Hollywood Executive Royalty and Meg Whitman, best known, I think, |
| 2:14.1 | for being at one point CEO of Hewlett Packard and running for governor of |
| 2:19.0 | California. It also comes with piles of funding in excess of a billion dollars. And Julia, |
| 2:23.7 | as I understand it, you kind of previewed this for me when we were discussing about doing it, |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from Slate Podcasts, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of Slate Podcasts and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2026.

