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Slate Culture Feed

Culture Gabfest - The Culture Gabfest: Why Did You Give Me That Bag of Skittles Edition

Slate Culture Feed

Slate Podcasts

Arts, Tv & Film, Music

4.22K Ratings

🗓️ 24 October 2012

⏱️ 50 minutes

🧾️ Download transcript

Summary

Slate critics Stephen Metcalf, Dana Stevens and Julia Turner discuss the 40th anniversary of "Free to Be You and Me" with Slate's Dan Kois, Saturday Night Live's presidential debate parodies, and the website HeTexted.com.


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Transcript

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0:00.0

The Slate Culture Gab Fest is sponsored by Stamps.com, buy and print official U.S. postage using your own computer and printer, and have your postal carrier pick up the packages.

0:10.3

Sign up for a no-risk trial and get up to $55 in free postage when you visit Stamps.com and use the promo code CultureFest.

0:19.3

And by Independent Lens, presenting the best in documentary film every Monday night at 10 p.m. on PBS with host Stanley Tucci.

0:28.3

The following podcast contains explicit language.

0:36.8

I'm Stephen Metcalfe, and this is the Slate Culture Gab Fest.

0:39.7

Why did you give me that bag of Skittles edition?

0:42.3

It's Wednesday, October 24th, 2012.

0:44.8

On today's program, Free to Be You and Me turns 40.

0:48.2

We're joined by Slate's own Dan Cois for that segment,

0:50.6

and then presidential debates and their inevitable Saturday Night Live parodies.

0:54.7

And finally, in case you needed any evidence that we don't live in an ungendered reality,

0:59.3

there's he texted.com. Joining me today is Slate's deputy editor Julia Turner. Hello, Julia.

1:04.5

Hi, Steve. Julia, you're looking very relaxed this morning. I'm feeling recumbent today.

1:10.3

Well, you're recumbent, that's why.

1:12.3

But it's making me uncomfortable.

1:15.0

You just wait.

1:16.0

I'm going to make some smooth points from my reclined position.

1:19.0

You have the look of a velvet assassin right now.

1:21.8

And, of course, Dana Stevens, Slate's film critic.

1:24.6

Hey, Dana.

1:25.1

Hey, Steve.

1:26.3

There's a land that I see where the children are free.

...

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