meta_pixel
Tapesearch Logo
Log in
Slate Culture Feed

Culture Gabfest - Look What You Made Richard Dreyfuss Do Edition

Slate Culture Feed

Slate Podcasts

Tv & Film, Arts, Music

4.22K Ratings

🗓️ 6 September 2017

⏱️ 60 minutes

🧾️ Download transcript

Summary

Stephen Metcalf, Dana Stevens, and Julia Turner discuss the 40th anniversary re-release of Close Encounters of the Third Kind, whether Taylor Swift represents Trump-era art with critic Jody Rosen, and fan fiction with Laura Miller.  

The Culture Gabfest is brought to you by the Platinum Card from American Express. There’s a world of experiences waiting to open up with the Platinum Card. Backed by the services and security of American Express.

And by Rocket Mortgage from Quicken Loans. Home plays a big role in your life. That’s why Quicken Loans created Rocket Mortgage. It lets you apply simply and understand the entire mortgage process fully, so you can be confident that you’re getting the right mortgage for you. To get started, go to RocketMortgage dot com/culture.

And by The Bureau, Sundance Now’s exclusive spy series called “both cerebral and gadget-filled” by the New York Times. Start your free 30-day trial of Sundance Now today by going to sundancenow.com and using the promo code culture.


Hosted on Acast. See acast.com/privacy for more information.

Transcript

Click on a timestamp to play from that location

0:00.0

The following podcast contains explicit language.

0:13.0

I'm Stephen McHaff, and this is the Slate Culture Gapfest.

0:15.7

Look what you made Richard Dreyfus' due edition.

0:18.0

It's Wednesday, September 6th, 2017. On today's show, the Spielberg

0:22.7

classic. Close Encounters of the Third Kind is now 40 years old, Paris and Thought. We

0:27.8

discussed its re-release. And then Taylor Swift has dropped a new song and an accompanying video,

0:34.3

which means every pop exeget must weigh in. We invited Jody Rosen to have a, no doubt, docile anodyne, completely vituporation-free

0:42.6

conversation about the various controversies surrounding the release.

0:46.6

And finally, we talk fanfic with Slate's own Laura Miller.

0:50.7

Joining me today is Slate's editor of Julia Turner.

0:53.0

Hello, Julia.

0:53.8

Hi, Steve. And Slate's film critic, Julia Turner. Hello, Julia. Hi, Steve. And Slate's

0:55.9

film critic, Dana Stevens. Hey, Dana. Hey, Stephen. All right. Close encounters of the third

1:00.6

kind came out in 1977, which is when I first saw it in the movie theaters. That's how old I am. I will

1:06.0

now say, I will hereby announce. It was the single most transformative cinematic experience

1:10.7

of my life.

1:11.8

It returns to theaters now on its 40th anniversary as an acknowledged masterpiece, but it's hard to

1:16.8

remember that back then Spielberg was very young. He was a wonderkind. He had one hit to his name,

1:22.1

and people were ready a little bit to pounce. They were ready for him to fail. Furthermore, his own

1:26.0

friend, George Lucas, had come out with Star Wars that very same year. It's incredible to think. Both films are masterpieces,

1:32.7

but they are very different from one another. Close encounters is long, strange, lucidogenic,

1:37.3

and also a highly, highly personal film. It tells the story of Roy and every man who works for

...

Please login to see the full transcript.

Disclaimer: The podcast and artwork embedded on this page are from Slate Podcasts, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of Slate Podcasts and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.

Copyright © Tapesearch 2026.