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Culture Gabfest - Anora Pole Dances to The Oscars

Slate Daily Feed

Slate

Business, News, Society & Culture

3.91.1K Ratings

🗓️ 23 October 2024

⏱️ 52 minutes

🧾️ Download transcript

Summary

On this week’s show, the panel falls for Anora, a new movie from writer-director Sean Baker (Tangerine, The Florida Project) that’s as arrestingly tender as it is sexy, funny, and unpredictable. The whirlwind Cinderella story won the Palme d’Or at Cannes this year, and will likely become an Oscar frontrunner due to its star-making performances and humanistic depiction of life on the margins and sex work. One host calls it “the best American movie in the past 25 years.” 

Then, the three discuss Matlock, a gender-swapped reboot on CBS starring Kathy Bates. With huge viewership numbers and decent critical success, is the quirky legal procedural proof that network television is so, so back?‌‌ Finally, our trio turns their attention to Hearing Things, a new site for independent music journalism run (and owned by) a group of former Pitchfork writers.

In the exclusive Slate Plus segment, the hosts explore their thoughts and feelings about Halloween costumes. 

Email us at culturefest@slate.com

Endorsements:

Steve:‌ “Two Don Quixote Lyrics”‌ by W. H. Auden.

Julia:‌‌ Hampton Heights, an excellent novel by Supreme Friend of the Pod (SFOP)‌ Dan Kois.

Dana:‌ In honor of her new oven, a recipe for Roasted Cod and Potatoes. Also in honor of Dana’s recent appliance upgrade, an oven recipe from Julia and Stephen respectively:‌ Sheet-Pan Sausages and Brussels Sprouts With Honey Mustard and Roasted Kale and Sweet Potatoes With Eggs.

Podcast production by Jared Downing. Production assistance by Kat Hong. 


Disclosure: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more.


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Transcript

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0:00.0

This ad-free podcast is part of your Slate Plus membership.

0:14.5

Hello, I'm Dana Stevens, and this is the Slate Culture Gab Fest, Anora poll dances to the the Oscars Conversation. It's Wednesday, October 23rd,

0:22.9

2024, and on this week's show, we will be discussing Anora, the new film from writer-director

0:28.0

Sean Baker about a Brooklyn sex worker who gets involved with the son of a Russian oligarch,

0:33.1

and winds up, to quote the title of an old Michelle Piper movie, Married to the Mob. It won the top

0:38.3

prize at Cannes this year. It's also now a frontrunner in the Best Picture Oscar conversation.

0:43.1

Second, we're taking on Matlock, not the 1990s Andy Griffith starring legal procedural,

0:48.1

but a brand new CBS Network show that's a gender-swapped reboot starring Kathy Bates as the

0:53.3

downhome trial lawyer. And finally, we'll talk about hearing things, a new online magazine that's a gender-swapped reboot starring Kathy Bates as the downhome trial lawyer.

0:54.6

And finally, we'll talk about hearing things, a new online magazine that's trying to revive and

0:59.1

maybe reinvent music criticism on the web. I'm joined today by Stephen Metcalf, who's remote from

1:04.9

somewhere. Where are you, Steve? I am back in my old stomping grounds. I'm in Ghent, New York,

1:09.5

at a dear friend's house. Ah, the land of pie stands. We get upstate Steve, a little infusion of upstate Steve. All right, we're going to see how that stirs the brew today. That's actually fitting for Matlock. He can be our folksy, our representative of folksiness for the week. And joining us from L.A., where she's a fellow at the Annenberg School of Journalism, is our beloved Julia Turner. Hey, Julia. Hello, hello. And on to Anora. The indie filmmaker, Sean Baker, has made eight films now, with the best known titles being the last three, Tangerine, the Florida Project, and Red Rocket. His movies have often taken place on the margins of society,

1:45.7

many of them focusing on sex work. In fact, when Onora won the Palm Door at Cannes this year,

1:51.2

Baker dedicated the award to sex workers everywhere. Anora tells the story of Annie. Her full name is

1:56.5

Anora, but that doesn't become important until late in the film. She's a stripper from Brighton Beach,

2:04.9

Brooklyn, who early in the film dances for a client named Ivan Zakharov.

2:15.2

Ivan, or Vanya, turns out to be the son of a Russian oligarch. He's obscenely wealthy. He's inexhaustibly horny, and he's eager to throw money at Annie to hire her as his pretend girlfriend.

2:19.8

After they take a whirlwind trip to Las Vegas together, their relationship starts to become something more than that of sex worker and client, which is when Vanya's powerful family

2:23.9

calls in the security team of large men they've hired to keep an eye on their wayward son.

2:28.7

In this clip, you'll hear Mikey Madison, who plays Anora, meeting Yvonne for the first time

2:32.8

in her strip club.

...

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