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Shedunnit

Cui Bono?

Shedunnit

Caroline Crampton

Arts, Books

4.9 • 1.4K Ratings

🗓️ 27 May 2020

⏱️ 19 minutes

🧾️ Download transcript

Summary

It's not who, or how, but why. Find links to all the books and sources mentioned at shedunnitshow.com/cuibono. Become a member of the Shedunnit Book Club and get bonus audio, listen to ad free episodes and join a book-loving community at shedunnitshow.com/bookclub. Books and sources: —Unnatural Death by Dorothy L. Sayers —Heir Presumptive by Henry Wade —The Unpleasantness at the Bellona Club by Dorothy L. Sayers —The Footsteps at the Lock by Ronald Knox —The Crooked Hinge by John Dickson Carr —Brat Farrar by Josephine Tey —The Belting Inheritance by Julian Symons —Hercule Poirot’s Christmas by Agatha Christie —The ABC Murders by Agatha Christie —After the Funeral by Agatha Christie —The Wrong Box by Robert Louis Stevenson and Lloyd Osbourne —Too Many Cousins by Douglas G Browne —Dead March for Penelope Blow by George Bellairs —4.50 from Paddington by Agatha Christie —Police at the Funeral by Margery Allingham —The Moving Toyshop by Edmund Crispin —"The Fascinating Problem of Uncle Meleaguer’s Will” and "The Piscatorial Farce of the Stolen Stomach” by Dorothy L. Sayers, both collected in Lord Peter Views the Body To be the first to know about future developments with the podcast, sign up for the newsletter at shedunnitshow.com/newsletter. The podcast is on Twitter, Facebook, Tumblr and Instagram as @ShedunnitShow, and you can find it in all major podcast apps. Make sure you’re subscribed so you don’t miss the next episode. Click here to do that now in your app of choice. Find a full transcript of this episode at shedunnitshow.com/cuibonotranscript. Music by Audioblocks and Blue Dot Sessions. See shedunnitshow.com/musiccredits for more details. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

Picture the scene.

0:05.0

scene. A wealthy elderly person lies dead, obviously murdered.

0:11.0

Their sumptuous mansion is filled to the rafters with expensive assets.

0:17.1

Around every corner is a family member or neighbor with some financial tie to the deceased, and

0:22.3

seemingly no alibi for the time of the crime.

0:27.0

What's the first thing an intelligent sleuth has to ask? It's not who did this, nor even how was this done?

0:41.0

No, the first thing the detective must find out is who benefits, of course.

0:47.0

Welcome to She-Dunnet.

0:52.0

I'm Caroline Crampton. In this episode we're going to take a closer look at how inheritance operates as a motive in classic detective fiction, and why financial expectations exert such a powerful influence over supposedly good people. When you really boil it down a detective novel can stand or fall on a single point

1:22.0

is the reason that an apparently upstanding member of society suddenly took

1:26.2

to bumping people off plausible or ridiculous? All of the cunning murder methods and clever concealments can't hide a dud if the motive doesn't work.

1:39.0

While there are other kinds of crime fiction that function perfectly well resting only on the pathological

1:44.8

approach of a serial killer say, the classic whodunit needs a more substantial foundation.

1:51.8

During the 1920s and 30s when the golden age of Foundation. way to effect this transformation from good egg to murderer in a believable fashion.

2:04.8

The unique combination of greed and desperation engendered by inheritance works very

2:10.8

well for this and it's no surprise therefore that plenty of writers from this period used variance of it to great effect

2:17.8

Let's have a more detailed look at why that is

2:22.1

Firstly, inheritance as a concept is completely relatable.

2:27.0

We might not all have rich aunts with complicated wills, but every family of every kind has experienced some kind of transfer of property when a member dies,

2:37.0

even if the asset in question was a prized but ugly jug, rather than a sprawling country estate. If death is a universal experience

2:46.2

then so is the disposition of property that follows. Then there's the temptation that a substantial inheritance represents.

2:55.0

Other common motives like revenge, infidelity and protection

...

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