This is 99% invisible.

I'm Roman Mars.

Chung-chung.

Yep, I see him in the God of the in the prank he just waved.

Earlier this year, the city of New York closed off several blocks around the Manhattan

Criminal Courthouse. Instead of early morning commuters the sidewalks around the

building were flooded with reporters, photographers, and camera people.

They were there to capture the arraignment of former President Donald Trump. Members of the media were so desperate to get a good shot that they camped out

overnight outside the courthouse and it's because people all over the world demanded an immediate

visual record of this historic moment.

Viewers were hoping to watch Trump's perp walk into the courtroom or see his mug shot

or see a video of him being read his felony charges.

Instead the image that was everywhere from the Guardian to the Washington Post, even the cover of the

New Yorker. That image was a hand-drawn courtroom sketch.

I cannot stress to you how much I really, really, really did not want to begin this episode

talking about Donald Trump. But this was a really great

sketch. producer Vivian Lay. The sketch was done by a New York-based artist

named Jane Rosenberg. She portrayed Trump at a three-quarter profile, his arms crossed in a

defiant manner. Somehow Rosenberg managed to perfectly encapsulate his hair with

just a few messy strokes of an oil pastel. His face was frozen in a deep cutting scowl, emanating

what I can only describe as sour-puss energy. I've always found courtroom art fascinating.

When I look at a sketch, it doesn't feel like I'm looking at a moment frozen in time.

...