Hello and welcome to Little Gold Men the Award season podcast from Vanity Fair.

It's such an honor to present this next award and Herald the nominees and

the Oscar goes to and I can't deny the fact that you like me right now.

You like me.

I'm the King of the World.

There's a mistake.

Moonlight, you guys won best picture. I'm Katie Ritchie the Deputy Editor of Vanity Fair

and I'm here for the special holiday week episode.

It's just me and our Hollywood correspondent Anthony Brezen can hey Anthony

hey guys Merry Christmas hey kitty Merry Christmas to you we are gathering together

before the holiday break don't worry we are taking a little time off like most of our

colleagues but we did some really fun interviews taking a little time off like most of our colleagues,

but we did some really fun interviews

to share with the listeners this week.

So we wanted to kind of get together and set them up.

So first we're gonna hear a conversation

that I had with Sir Sharonan, the star of Little Women, and then

we're going to hear Anthony's interview with Roger Deakins, who is the

cinematographer for 1917, but a cinematographer kind of barely does

justice to his massive status within the film industry, I think.

He is the cinematography.

He is the guy.

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