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The UBK Happy Funtime Hour

Conversations with Joe Chiccarelli - Part 1

The UBK Happy Funtime Hour

Gregory Scott & Nathan Daniel

Music

4.9540 Ratings

🗓️ 6 June 2019

⏱️ 43 minutes

🧾️ Download transcript

Summary

A very special episode of banter from the world's funniest podcast on music production, engineering, & mixing!

Someone wins a plugin every episode, listen to find out who!

Transcript

Click on a timestamp to play from that location

0:00.0

It's the UBK Happy Fun Time Hour, starring UBK, and Nathan Samuel.

0:17.0

And UBK

0:21.1

and now

0:24.6

the UBK

0:26.2

Happy Fun Time Hour

0:28.2

Hello and welcome to a very special episode of the UBK

0:33.7

Happy Fun Time Hour

0:34.9

Today we are so happy to be bringing you part one of two parts,

0:41.3

Conversations with Joe Chichorelli. Joe was a legend, and the depth of his experience and knowledge

0:47.7

is humbling and formidable. He swung by our place, and we chatted for hours on end, just rambling about anything and everything that came to mind.

0:57.5

We answered more than a few listener questions in the process, but mostly we just talked about the business, about the craft, and about the art of recording and mixing music and working with the artists that write it.

1:10.0

You're going to hear the best bits

1:11.3

and highlights of that conversation and it still was so much information that we had to split it

1:16.2

up into two episodes. So take notes, listen many times. I think I've heard this material three

1:22.6

times now and I'm still hearing things, still learning things. It's amazing the density.

1:28.0

So sit back, relax, pay attention, and enjoy the very special part one of two conversations with Joe Chichorelli. Findi.

1:54.3

Fendi says, I started mixing in more metal genres, but I'm now producing more local bands,

1:59.9

and I'm getting a lot of jazz, funk-type

2:01.8

stuff to work on. I struggle a lot with getting the dynamics right. I find it really hard to use

2:07.1

the dynamic of the musicians and also get the right amount of controlling compression. Also,

2:12.5

what would be your main approach on a really dense mix, like drums, percussion, guitar, bass,

2:16.9

vocals, piano, synth synth brass quartet and

...

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