Conspiracy Theories with Naomi Klein
The Blindboy Podcast
Blindboyboatclub
4.9 • 8.1K Ratings
🗓️ 24 October 2023
⏱️ 68 minutes
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| 0:00.0 | Dressed to impress the Vasseline Gannett, you tender Benjamin's. |
| 0:04.0 | Welcome to the Blind Boye Podcast. |
| 0:06.0 | This episode is the sixth year anniversary of this podcast. |
| 0:11.0 | I've been making this podcast every single week for six years. And what that |
| 0:16.9 | means for me is for six years solid, I've been able to earn a living doing what I absolutely love and adore. Before this |
| 0:27.0 | podcast I'd spent 10 years in the rubber bandits trying to make it on television and radio and in music, operating very much within the |
| 0:36.3 | space of traditional media. And the problem with that is, you're not creating to make the best |
| 0:41.7 | piece of work, you're not creating to express yourself. |
| 0:45.6 | You're creating to impress a small amount of commissioners in the hopes that they'll give you a job. |
| 0:51.2 | And you get a commission and you just take it you're lucky to get one or two |
| 0:54.3 | commissions a year and then you have to live off that with complete uncertainty and no way to |
| 0:59.6 | financially plan or plan anything about your fucking life and it's a soul-crushing an |
| 1:04.3 | inefficient way to be an artist and it's a it's a terrible model for creative |
| 1:09.4 | self-expression if you want to fund artists you have to fund artists to fail. You gotta fund artists like, like you'd fund a scientist. |
| 1:18.0 | You fund an artist to give them space to experiment and create and to try things. If you do that, you'll get occasional |
| 1:25.9 | greatness. TV radio and music industry doesn't do that. They fund artists with the caveat |
| 1:31.9 | that the work must be popular to draw in advertisers |
| 1:36.2 | and under those conditions what you get is consistent mediocrity so for six years |
| 1:42.2 | I've been completely out of that system. I don't have to think about |
| 1:46.7 | commissioners. I don't even they don't enter my fucking head. Instead each week I get to deliver the best version of myself, D.E. I get to write, like I'm four years |
| 1:59.2 | of age playing with LEGO. Instead of thinking about what I want to make, I'm exploring a feeling of curiosity, using |
| 2:06.9 | creativity, and from that I've got a fucking body of work that I'm unbelievably proud of and I get to experience a sense of |
... |
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