4.6 • 1.6K Ratings
🗓️ 1 August 2022
⏱️ 14 minutes
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0:00.0 | Aldo Solano Rojas and I are gazing into the face of a concrete crocodile. |
0:09.7 | It has seen better days that poor things. |
0:12.2 | Now it's green, green, blueish, it used to be more green. |
0:16.9 | Or actually we're looking at where part of its face should be but has fallen off. |
0:22.2 | What's sad is that it's really, really bad condition. |
0:27.5 | Aldo takes out his phone and pulls up a photo taken of the crocodile decades ago. |
0:32.3 | At the height of its glory, before it lost the majority of its nose. |
0:37.1 | That was... |
0:38.1 | Yeah, I'll be right back. |
0:41.1 | No! |
0:42.4 | You want to go see the lion? |
0:43.9 | Yes. |
0:45.2 | In this park, the crocodile is part of a concrete crew. |
0:49.8 | A few strides away, there's a tuskless yellow elephant, a pouting fish, even a bear. |
0:55.4 | Well, this bear has almost just one ear, no face, and no hands. |
1:01.8 | I'm sorry, I should have brought you to another park. |
1:06.8 | Parks across Mexico City, and actually across all of Mexico, are full of these concrete creatures. |
1:15.5 | And today we'll trace the story of how they landed here at such scale. |
1:21.7 | I'm Abby Peralt, and this is Atlas Obscura, a celebration of the world's strange, incredible |
1:28.8 | and wondrous places. |
1:30.2 | When we come back, an introduction to the long, unknown creator behind the widely known |
1:36.0 | concrete fauna of Mexico's urban placecapes. |
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