Colson Whitehead on “Crook Manifesto”
The New Yorker Radio Hour
WNYC Studios and The New Yorker
4.2 • 6.2K Ratings
🗓️ 25 July 2023
⏱️ 23 minutes
🧾️ Download transcript
Summary
Transcript
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| 0:00.0 | This is The New Yorker Radio Hour, a co-production of WNYC Studios and The New Yorker. |
| 0:10.3 | This is the New Yorker Radio Hour. I'm David Remney. |
| 0:14.0 | Colson Whitehead's creation, the Harlem Fence and Furniture Salesman Ray Carney, |
| 0:19.1 | is one of the great crooks in modern fiction. Ray isn't |
| 0:23.1 | big time. He's not a kingpin. He's not even a particularly bad guy. He sells barca loungers and |
| 0:30.1 | out the back door he fences stolen goods. He's a guy looking to pay his bills and get by. |
| 0:37.8 | Ray was the hero of Whitehead's Harlem Shuffle, and he returns now in a sequel, the hilarious sequel, Crook Manifesto. |
| 0:46.2 | In Crook Manifesto, Carney has retreated for a while, but then he gets drawn back into crime as a way to come through for his daughter. |
| 0:55.9 | She's dying to get tickets to see the Jackson Five who are playing a sold-out show at Madison Square Garden. |
| 1:04.5 | Colson Whitehead won Pulitzer Prizes for his novels The Underground Railroad and the Nickel Boys. |
| 1:13.1 | This book, Crook Manifesto, is the very first time that he's written a sequel. |
| 1:18.8 | How did you envision it in the beginning? |
| 1:20.9 | You started with some journalism, and awfully good journalism too. |
| 1:28.1 | Was it difficult to make that leap into imaginative literature, into writing fiction? |
| 1:33.4 | I always wanted to write fiction, so I love the village voice growing up, and it was my dream job to start off there. |
| 1:40.6 | I worked in the book section. |
| 1:42.5 | It was my job to open the 40 books a day we got from |
| 1:45.4 | bookseller, from publishers. At that point, if you were in the building, you could get work. |
| 1:51.0 | And so I hit up the TV editor for my first piece, my big break. And now TV criticism is very |
| 1:58.1 | accepted, and it's a real part of the, of the arts section. |
| 2:03.1 | But back then it was like the saddest, like, why are you writing about TV? |
| 2:05.8 | It was really embarrassing. |
... |
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