I want to ask you something on it. I want to ask you right now. So we're what a couple of hours until showtime for you in the sense that you're about to do a live show not live show. Well, it's live in front of a studio audience. Yeah, thanks for asking me about this.

I do have a question for you about this. Right now you seem very calm, but I look I kind of like it to an athlete before a big game, right? Is it more of that where you have to pump yourself up? Is it or do you get a little nervous?

What are some of your pre-game or pre-show rituals that you do and to pump yourself up? Or is it just one of those things where you just jump right in and it's just it's just a.

Oh, they thanks. I don't think anyone's ever asked me that. I'll do like I'll put on like tech nine and I'll do some pushups.

Like wait, what's tech nine? Oh, oh, I'll play for you in a minute. Oh wait, oh no, no, is that the song I always play for you? Yeah, yeah.

So you do pump yourself up with that. Yeah, I do.

That's the my new pages that are arriving. That's always fun because they change the script at the last minute all the time.

So then everything you learn, you kind of have to like, throw out the window and now you're a few hours a couple hours away from the show and they have to relearn all of this.

Exactly. And you we get in this format, we get about two, two takes and then we're moving on.

So if you it does feel like what I would imagine being on a baseball team, like, okay, you're up to bat.

Like this is this is your shot. Whereas in single camera stuff, you, you know, you, especially now with, with the sort of the difference in technology, you have multiple, multiple takes.

Right. But whatever you can fuck around and improv, but this is an incredibly precise format.

And so there is that pressure of like, okay, I bet I can't fuck this up.

I want to do exactly what I want to be able to perform the performance that I want. Take one, you know, I have to say, I have seen you do this a bunch.

Now I've seen your show live a few times now.

And I have to say that you and Allison, you two are such consummate professionals the way you just go out there and you nail it every single time.

My sense is really hard to do and you do it so well.

Thanks. Well, the audience isn't me. It's it's energizing, but also working with Allison. She, I feel like we're, we're dance partners that have been working together for, you know, year, well, it would have been.

But yeah, no, so yeah, I'm about to do the show and it's our 100 and second show.

Congratulations. Thank you.

So I still have 100 episodes. That means syndication money. That means cha-ching, right?

Cha-ching.

...