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0:00.0 | Funds for Bookworm are provided in part by Lannin Foundation. |
0:07.2 | You are a human animal. |
0:11.3 | You are a very special breed, |
0:15.1 | or you are the only animal. |
0:18.4 | Who can think, who can reason, who can read. |
0:22.7 | From KCRW, Santa Monica, I'm Michael Silverblatt, and this is Bookworm. |
0:27.9 | Today, I'm very fortunate to have as my guest, Clayton Eschelman, |
0:32.2 | whose most recent book of poetry is an alchemist with one eye on fire. |
0:37.2 | His book of essays has also come out, archaic design, from the same publisher, Black Widow Press. |
0:44.8 | It's a relatively new press located in Massachusetts with a very impressive list of translations |
0:52.1 | of surrealist poetry and more still to come and more Eschelman as well. |
0:58.6 | Now, I want to begin by trying to place my relationship to the work of Clayton Eschleman. |
1:06.8 | It took me a while because as a poet, he puts you in worlds between. |
1:13.9 | The human is linked with the animal. |
1:17.6 | The organic is linked with the fleshy and the menstrual. |
1:25.0 | And for a very long time, I would say, it's sticky, it's yicky, I'm afraid of it. |
1:31.3 | And then something happened. |
1:34.5 | I began to see that through these physical juxtapositions and pairings, we were being led to an alteration of the senses |
1:44.6 | that the poems, in a sense, |
1:48.1 | want to take you into the world |
1:52.5 | that's beyond the conscious world |
1:54.6 | and to do so a series of violent yokings, |
... |
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