4.6 • 908 Ratings
🗓️ 18 October 2024
⏱️ 73 minutes
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0:00.0 | Tetragrammaton |
0:02.0 | Tetracketka |
0:07.0 | What we begin with today? |
0:25.1 | Let's try some Stravinsky neoclassical period. |
0:30.6 | What were the different periods of Stravinsky? |
0:33.7 | So Stravinsky is always experimenting with new ideas. |
0:38.0 | His teacher was Rimsky Korsakov, who wrote Jehazade. |
0:41.6 | We can listen to a bit of that later. |
0:44.1 | Rimsky Korsakov was very ornamented, very, you could say, classical, |
0:49.8 | trying to create a sound of glamour, writing operas. |
0:54.3 | He was, in a sense, trying to make Russian music more like European music. |
0:58.9 | I don't think this enterprise ever succeeded. |
1:02.0 | Was he the first Russian composer to try to sound European? |
1:05.4 | Well, you could say Glinka, which is more or less the 1840s, |
1:09.1 | is the first Russian composer to create a Russian classical music, |
1:13.3 | and he wrote two well-known operas and many other pieces, and he was trying to bring Russian music |
1:18.6 | into his own, and he is the found from which a lot of later Russian music comes. Glinka. He's not |
1:25.2 | listened to that much anymore, but it's actually pretty good. |
1:28.7 | Rimsky Korsakov |
1:29.4 | we still listen to. |
1:31.0 | Scheherazade and |
1:32.0 | Flight of the Bumblebee. |
... |
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