Claire Keegan's new book of stories explores tension, drama and gender dynamics
NPR's Book of the Day
NPR
4.2 • 672 Ratings
🗓️ 22 January 2024
⏱️ 9 minutes
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| 0:00.0 | Hey, it's NPR's book The Day. I'm Andrew Limbaung. What's the difference between tension and |
| 0:08.4 | drama? They're related, sure, and all good stories, at least in my opinion, have to have a little bit of both. |
| 0:15.2 | But they are two different things. Author Claire Keegan gets into this while she's talking about |
| 0:20.8 | her book |
| 0:21.1 | so late in the day stories of women and men. It's a short story collection and one of the |
| 0:26.2 | stories actually began as an exercise she did for her creative writing students about this |
| 0:31.6 | very thing, you know, the difference between tension and drama. Anyway, she and NPR Scott Simon |
| 0:37.2 | get to talking about how her characters, |
| 0:39.9 | like all of us, live their lives knowing that time is finite, and one day it'll all come down |
| 0:45.8 | to an end, but nobody knows when or where. Whether that counts as tension or drama, |
| 0:52.5 | I'm not sure, but the conversation is right after the break. |
| 0:56.7 | In the U.S., national security news can feel far away from daily life. |
| 1:01.4 | Distant wars, murky conflicts, diplomacy behind closed doors on our new show, sources and methods. |
| 1:08.0 | NPR reporters on the ground bring you stories of real people, helping you |
| 1:12.1 | understand why distant events matter here at home. Listen to sources and methods on the NPR app or |
| 1:18.0 | wherever you get your podcasts. Claire Keegan is one of the most admired writers of our times, |
| 1:26.2 | known for stories and novels that can be small and tight yet packed with |
| 1:30.6 | light, as well as ominous darkness. Consider the beginning of her new work so late in the day, |
| 1:37.2 | stories of women and men. Ms. Keegan? On Friday, July 29th, Dublin got the weather that was forecast. |
| 1:47.3 | All morning a brazen sunshine across Marion Square, |
| 1:51.6 | reaching on to Cahill's desk where he was stationed by the open window. |
| 1:56.6 | A taste of cut grass blew in, |
... |
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