What did you want to do? Are you gonna save it for the end? I'll save it. All right.

So I will be outraged. I will be outraged at you. Save the outraged for the fresh take.

I want you to be pissed later instead of pissed the whole time. No, I'm gonna be pissed the whole time.

Oh, okay. Not at you though. Oh, and what? At me? Well, fuck you picked it, right?

If it's Catwoman. Are we recording? We had a conversation we had about like,

there's some bare minimum expectations in order to be a movie.

As opposed to just stuff. Are you saying there aren't special effects in this movie?

There are special effects. Are you saying there isn't a story? There's no story.

There's a story. There is no, there is absolutely. It's not very good, but there's a story.

There is no story. There is no story. Are there not characters?

I'm really pushing the boundaries on what constitutes their art character.

Is there not a setting? No setting. Actually, the setting is very ambiguous. Yeah, I don't.

I mean, wrong category to pick on that one. Yeah, that was on me.

Oh, I took a lot of notes. That's the funny thing. I have a lot of notes. I know I got to pair these down.

You know what happened to me, Zach? I was gonna fall asleep watching this movie.

Then I remember you said that I'd fall asleep in it and so I forced myself to not sleep.

Let's go because, spite. You spite watch it.

You spite watch it when we were supposed to watch. Yes. Your picks have been horrible, man.

It's the point. It's the point of the show. Isn't it? Isn't it? It's possible. I don't understand

what this podcast is about. Copy, cork. To fuck house.

On a weekly basis, we are consuming more concentrated bad movies. There's probably anybody in the history of mankind.

Copy, cork. What story? What story? What are you talking about?

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