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Switched on Pop

CHVRCHES and the sound of 80s horror

Switched on Pop

Vox Media Podcast Network

Music Interviews, Music History, Music, Music Commentary

4.62.7K Ratings

🗓️ 14 September 2021

⏱️ 33 minutes

🧾️ Download transcript

Summary

CHVRCHES is well-known for their comprehensive use of synthesizers and their updated take on “synthpop”, a subgenre of pop we most closely associated with the 1980s. While gearing up to make their second album in 2015, CHVRCHES members Iain Cook and Martin Doherty spent much of the recording budget buying up many of the original synthesizers used to make those iconic 80s dance tracks. Contemporary replicas of those synth sounds are now commonplace with pop acts like Dua Lipa and The Weeknd. But CHVRCHES has been wielding these sounds for more than a decade, and their newest project is a great reminder of how closely we link that synth sound with not just to a bygone era, but specifically to the eerie sound of horror film. Screen Violence is their new album. It draws inspiration from classic horror films like John Carpenter's Halloween. With its horror frame, the lyrics explore dark themes, like the violent online abuse CHVRCHES lead singer Lauren Mayberry has endured for much of the band’s existence, a hyper consciousness of her own mortality brought on by that abuse, and fears of losing her grip on reality. Switched On Pop’s co-host Charlie Harding spoke with Lauren, Ian, Martin from CHVRCHES about the making and meaning of Screen Violence. MORE Chvrches' Lauren Mayberry: 'I will not accept online misogyny' SONGS DISCUSSED CHVRCHES - Never Ending Circles Dua Lipa - Physical The Weeknd - Blinding Lights CHVRCHES - California CHVRCHES - Lullabies CHVRCHES - Final Girl CHVRCHES - Violent Delights CHVRCHES - He Said She Said CHVRCHES - Asking For A Friend John Carpenter - Halloween Theme Suspiria - Markos John Carpenter - Christine John Carpenter - Turning The Bones (CHVRCHES Remix) CHVRCHES - Good Girls (John Carpenter remix) CHVRHCES - How Not To Down (with Robert Smith) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcript

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0:00.0

Stream the new Paramount Plus original series 1923 a Yellowstone origin story starring Helen Mirren in Harrison Ford

0:08.3

1923 a new series streaming now exclusively on Paramount Plus. Go to Paramount Plus dot com to try it for free

0:14.6

Welcome to Switched On Pop. I'm songwriter Charlie Harding the band churches spelled with a stylized V is well known for their comprehensive use of one of my favorite instruments

0:37.6

The synthesizer and they have this updated take on synth pop a subgenre of pop we most closely associate with the 1980s

0:46.6

While they were gearing up to make their second album in 2015 churches members Martin in Ian spent much of the recording budget buying up many of the original synths used to make those iconic 80s dance tracks

0:58.6

You can hear the full power of these synths on a track like never ending circle off that second album

1:13.6

And of course nostalgic replicas of those synth sounds are now being spun up into hits for elite pop acts like Duolipa

1:21.6

And the weekend

1:30.6

But churches has been wielding these sounds for more than a decade and their newest project is a great reminder of how closely we link that 80s synth sound with something maybe a bit surprising

1:44.6

The sound of horror their new album is screen violence it draws inspiration from classic horror films like John Carpenter's Halloween and gets into some dark themes like the violent online abuse churches lead singer Lauren Mayberry has endured for much of the band's existence a hyper consciousness of her own mortality brought on by that abuse and fears of losing her grip on reality

2:10.6

It's a powerful record. I was so pleased to get a chance to talk to Lauren Martin and Ian from churches about this album and am thrilled to bring that conversation to you today

2:21.6

Since you're going to be hearing all three of their voices I asked them to start out by introducing themselves

2:27.6

Hi, I'm Ian. This is the voice of Martin. I'm sitting next to Lauren the final member of churches

2:35.6

Thanks for joining me today. We're going to get into some music shortly but I want to start with the idea of screen violence

2:41.6

It's such a provocative and contemporary title. What's the concept behind screen violence? How did it originate?

2:48.6

I think we're always shining away from the notion of concept because it has such baggage when it comes to music, you know, the concept album

2:58.6

That said, I think the best way I've heard it described by Lauren I think was it's kind of a lens through which we've kind of filtered the world

3:07.6

It's like, well, you know, here's a different way of looking at it that kind of focuses things a little more

3:12.6

It was a band name that we had kicking about in a big list of about 40 or 50 potential band names in 2011 I think

3:20.6

And Lauren had come across this spreadsheet recently and it seemed like a good idea to revisit that concept

3:28.6

Ah, fuck I said it, dammit

3:30.6

Idea, let's say idea

...

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