Welcome back. Today I have the pleasure of speaking with Christopher Rufo. He is a writer,

filmmaker and senior fellow at the Manhattan Institute. He is a contributing editor of City

Journal where he covers critical race theory, homelessness, addiction, crime, and other afflictions.

Please welcome Christopher Rufo.

All right. So you broke a pretty big story. This is like one of those moments that you want to have

as a journalist and a writer regarding Disney. So I first want to just show people that clip in

case they haven't seen it of the senior executives talking about a very explicit gay agenda that Disney

has. So let's roll the clip. I'm here as a mother of two queer children actually,

one trans gender child, and one pansexual child. We have many, many, many LGBT QIA characters.

In our stories and and and yet we don't have enough leads. Our leadership over there has been so

welcoming to like my like not at all secret gay agenda. I don't have to be afraid to like

let's have these two characters kiss. Let's in the background this like I was just wherever I could

just basically adding queerness to like the if you see anything queer the show. I'm proud

that way. But like I just was like no one would stop me and no one was trying to stop me.

Last summer we removed all of the gendered greetings and relationship to our live

skills. So we no longer say ladies and gentlemen boys and girls. We we've trained we've provided

training for all of our our cast members and in relationship to that. So now they know it's

hello everyone or hello friends. We we're in the process of changing over those those recorded

messages and so many of you are probably familiar when we brought the fireworks back to the magic

kingdom. We no longer say ladies and gentlemen boys and girls we say dreamers of all ages.

Okay Chris what are we looking at here and how did you get your hands on it?

Sure well I've been reporting on internal politics at Walt Disney Company for the last year.

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