4.6 • 639 Ratings
🗓️ 29 June 2011
⏱️ 29 minutes
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Chris Weitz is a writer and director, but most of his directing efforts are films he didn't write. A Better Life, is a personal story he didn't write...
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0:00.0 | From KCRW in Santa Monica, this is The Treatment. |
0:04.0 | Welcome to the Treatment, which you can also hear at KCRW. |
0:17.0 | My guest, writer and director Chris White's, is a writer and director who directs films that he doesn't always write. |
0:24.9 | So the more notable ones have been New Moon, American Pie, the Golden Cup is, and this newest film, which is actually a very personal film, happens to be one he did not write either. |
0:35.1 | A Better Life First of all, Chris, thanks for coming back. |
0:37.4 | Thank you for having it. Let's not forget about a boy, the film that everyone always |
0:41.1 | mentions whenever they interview me, which to me says, why haven't you done a good film |
0:46.3 | since About a Boy, usually when they say that? I thought I tried another tack, because I'm fascinated |
0:50.7 | by that that you have directed, because I think most people do think of you, because about a boy and down earth they think of you as a writer-director, but most of the films you've directed have not been from your own scripts. |
1:00.7 | Yeah, that's right. |
1:01.9 | I think it's because I'm lazy, really. |
1:04.3 | And also a lot of the stuff that my brother and I worked on and also that I've worked on have been adaptations. |
1:09.3 | And I think it's because I have a difficult time believing in characters that I've made up in my head. Is that true? Yeah, I think |
1:16.3 | that I find a pre-existing narrative much easier to work with because there's already a kind of a |
1:22.3 | block of marble there to chip away at. Whereas, you know, my brother is very brave and he makes up characters from |
1:29.9 | whole cloth or from his imagination. And you should say your brother is Paul White. Yeah, my brother is |
1:34.9 | Paul White's. It's funny because so often, I think you and I even talked about this, |
1:39.5 | the idea of adapting something or taking an adaptation, you're dealing with something that you have an enormous emotional attachment to |
1:47.0 | that belongs to you in the way that a movie really never can, |
1:50.0 | and you have to get past that to find the movie in that material. |
1:54.0 | Yeah, it can be difficult, especially in the case of something like Golden Compass, |
1:59.0 | where I was in love with that book, |
... |
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