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Best of the Spectator

Chinese Whispers: the rise of rock in China

Best of the Spectator

The Spectator

News Commentary, News, Daily News, Society & Culture

4.4 β€’ 785 Ratings

πŸ—“οΈ 20 February 2023

⏱️ 35 minutes

🧾️ Download transcript

Summary

Every protest needs an anthem, and for the 1989 Tiananmen Square protests, 'Nothing to My Name' by Cui Jian became that emblem. Cui was one of China's earliest rockers, taking inspiration from the peasant music of China's northwest and fusing it with the rock 'n' roll that was beginning to arrive in the country. It put rock music – and the Chinese interpretation of it – under the national spotlight.

On this episode Cindy Yu talks to Kaiser Kuo, host of the China Project's Sinica podcast, who also happens to be a founding member of Tang Dynasty, one of China's earliest and greatest rock bands. They talk about how a China opening up after the Cultural Revolution allowed in this decidedly western musical genre, how it fused with Chinese musical traditions upon contact, and its lasting association with the 1989 Tiananmen Square protests.

Transcript

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0:00.0

The Spectator magazine combines incisive political analysis with books and arts reviews of unrivaled authority. Absolutely free. Go to spectator.com.uk forward slash voucher.

0:31.5

Hello and welcome to Chinese Whispers with me, Cindy Yu. Every episode, I'll be talking to

0:36.4

journalists, experts and long-time China I'll be talking to journalists, experts,

0:42.0

and longtime China watchers about the latest in Chinese politics, society, and more.

0:45.5

There'll be a smattering of history to catch you up on the background knowledge and some context as well.

0:47.5

How did the Chinese see these issues?

0:49.1

Music That's the sound of Tang Dynasty, one of China's greatest and earliest rock bands.

1:07.8

On this episode, I was speaking to Kaiser Kuo about the relatively short but special history

1:12.1

of rock in China. You might know him from the Fantastic Sinica podcast, but you might not know

1:17.1

that before he was a podcaster, he was one of the founding members of Tang Dynasty. On this episode,

1:23.1

we talk about how the opening up of China after the Cultural Revolution allowed in this

1:27.5

decisively Western musical genre, how it fused with Chinese musical traditions upon contact

1:32.8

and its lasting association with the 1989 Tianmen Square protests. I started by asking

1:38.9

Kaiser how he came to found Tan Dynasty. It's a little bit of an involved story, so please be merciful.

1:45.9

I was playing a band in college in the 1980s at UC Berkeley, and out of a fluke connection

1:52.2

through my father, we were actually invited to go to China to play.

1:56.1

And while that didn't pan out in the end, it did sort of plant the seed of me wanting to go to China

2:03.1

to play music.

2:04.7

And since I was the one who's communicating with the host organization over there, which

2:08.3

was something called the Shanghai International Youth Culture Exchange Association or something

2:12.6

like that, they were sending me all this, the sort of backline lists, the equipment that they had.

2:19.1

And I concluded that somebody over there must be playing rock music.

...

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