Happy birthday to you.

Happy birthday to you.

Happy birthday, dear queen.

Happy birthday to you.

It's funny every time. It is funny. Ironically, that's exactly what I sound like when I sing. So it's very fitting. You can tell he started higher than I think he wanted to, but then just went with

it, which makes it even better. Oh, I know that all too well.

That's every time I sing. Remember when I sent you the clip of me singing the national anthem

at that graduation the other, like last week? And the trumpeter is like, can we do it in like B flat?

And I'm like, I mean, I don't, whatever. whatever he's like what key do you usually do this and I'm

like I've sung those once in my life and then the second we started I was like this is going to go

really high at the end and I was singing in like a freaking opera voice by the end I wanted to die

I wouldn't know what that would mean oh okay let's sing it in B flat or A.

Yeah.

Sharp.

Like, people, like, my accompanists will often ask me that, what key do you usually do

this in?

And then I'll just be like, as long as the high note isn't higher than a G.

And they're like, I'm like, we don't speak the same language here.

See, that sounds even more complicated. I'd be like, uh, whatever the song is in.

When you're a singer or when you're not a sing, well, I guess when you're a musician singer,

you know what key, what notes you shouldn't be singing. So that's where I'm like, I can't,

I shouldn't be singing higher than a G or an F

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