CHAYSE IRVIN - Cinematographer

Team Deakins

James Ellis Deakins

Tv & Film, Filmlighting, Deakins, Movies, Filmmaking, Production, Film, Cinematography, Film Interviews

4.8 • 1.4K Ratings

🗓️ 29 March 2023

⏱️ 77 minutes

🔗️ Recording | iTunes | RSS

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Summary

Team Deakins chats with the creative cinematographer Chayse Irvin (BLONDE, BLACKKKLANSMEN, HANNAH) about filmmaking and his career. We discuss the benefits of preparing for a scene and then finding it on the day, and Chayse describes how he brings an audience into his work through his compositions. Chayse speaks on his ongoing collaboration with artist and director Khalil Joseph and the unique and artistically productive environment he creates. Roger and James also dive into Chayse’s work on Andrew Dominik’s BLONDE and the similarly unique challenges he faced when shooting the film. We hope you enjoy the episode!

Recommended Episode Viewing: BLONDE, HANNAH

Transcript

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0:00.0	Hi and welcome to season two of the Team Deacons podcast.
0:08.1	A collection of informal conversations between Roger and James Deacons and Agust.
0:14.0	We never know where the conversation will take us, so listen in and see where it goes.
0:21.8	This episode is sponsored by Ari Rental, a global rental company providing personalized
0:27.3	service and support to productions of all sizes, from commercials to major motion pictures.
0:34.2	Ari Rental offers a wide range of exclusive products that are developed in-house, including
0:40.4	the Alexa 65 camera and lenses such as the DNAs, alphas and heroes, as well as lights and
0:48.2	grip equipment.
0:52.4	Today's podcast is being brought to you by True Cut Motion from Pixelworks.
0:58.4	True Cut Motion is an advanced motion grading technology that works seamlessly with both
1:04.2	theatrical and home streaming distribution, providing filmmakers with a broad new palette
1:10.4	of motion looks previously not possible.
1:13.9	By unlocking tools for the adjustment of jutter, shutter angle, and speed ramps shot by
1:19.6	shot and post production, True Cut Motion gives the filmmaker unprecedented control of
1:26.4	the motion look of their work on any screen.
1:31.9	Today we're speaking with a cinematographer.
1:34.3	His credits include Hannah, Black Clansman, and most recently blonde.
1:38.9	We're happy to welcome Chase Irving with us today.
1:41.7	Chase, thank you for doing this.
1:43.4	Yeah, hi Chase.
1:44.4	Nice to meet you.
1:45.4	Nice to meet you too.
	...

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